Favorite blog posts, March 2014

March 31, 2014January 1, 2018 ~ Bret Pimentel ~ Leave a comment

Recommended reading from the woodwind blogs in March:

“Komuso Lady” at A Shakuhachi Journey blogs about tsu meri difficulties. Even for players of “modern” Western woodwinds, there are good thoughts here on getting to know your instrument and its tendencies intimately.
Betsy Sturdevant offers some commentary and tips on playing bassoon 1 on the Firebird Suite.
Patty Mitchell shares some reed advice for oboe students.
At the “MetOrchestraMusicians” blog, a nice infographic about reeds. (Hat-tip to Patty Mitchell for this one.)
Saxophonist Timothy Owen explains his reed preparation and finishing process.
Clarinetist Adam Berkowitz offers some insightful responses and expansions to my recent blog post about uncompensated gigs.
Saxophonist Bill Plake keeps a level head about equipment (suitable for players of all instruments).

Favorite blog posts, February 2014

March 1, 2014January 1, 2018 ~ Bret Pimentel ~ 2 Comments

Here are some of my picks for some excellent woodwind-related blog posts from last month.

Bass clarinetist Michael Lowenstern gives excellent advice on some topics (such as “biting”) that I think are not often taught well.
Mark Catoe gives a workshop on teaching beginning clarinetists to cross the break. (Those are some mighty handsome fingering diagrams.)
Chris Dunning takes us on a historical video tour of the saxophone in jazz.
Clarinetist Adam Berkowitz manages the logistical details of a performance. Also: two habits worth having.
Jennet Ingle bemoans the oboe’s caprices. “It’s not that playing the oboe is physically more difficult than any other instrument, it’s that the oboe doesn’t want you to get it.”
Bassoonist Betsy Sturdevant chases the elusive high F.
Oboist Patty Mitchell explains what it means to “know” a piece of music.
Trent Jacobs gives a primer on amplifiers for woodwind players interested in going electric.
Over at Music Collective, flutist Jessica Dunnavant discovers life beyond the university-teaching-job search.
Timothy Owen offers some observations and advice on playing multiple sizes of saxophone.
Clarinetist Heather Roche gives composers some insights on glissandi and air sounds, with extensive audio clips.
Vanessa Breault Mulvey of the “Flying Flutistas” avoids “muscling up” on the flute. Also on the trapeze. Really.
Cooper Wright gives his oboe a good cleaning.
Woodwind player Ted Nash tells the story of how he nearly got adopted by Quincy Jones. “Part II to follow,” he promises.
Meri Dolevski-Lewis gives some good common-sense tips to those working with a pianist for the first time.

Enjoy!

Favorite blog posts, December 2013

December 31, 2013January 1, 2018 ~ Bret Pimentel ~ 1 Comment

Here are the woodwind-related blog posts that made my “nice” list for December. (One from late November seems to have slipped in here, too.)

On his new blog, Timothy Owen explains how he tunes his saxophone like an M-16 assault rifle.
Bassoonist Betsy Sturdevant (of the Columbus Symphony) reveals her basic reedmaking method.
Cooper Wright doesn’t just play the oboe, he plays the concert hall.
Theresa Koenig domesticates a wild recorder.
David Freeman experiences a gig frustration common to woodwind doublers.
Jennet Ingle plays the oboe while sick, and learns some things about her playing.
Trent Jacobs shares a good contrabassoon fingering chart.
Saxophonist Bill Plake discusses advanced metronome usage.
Steve Moffett uses a vibrato exercise to develop his flute tone.
Jeff Cunningham has a literary adventure in the saxophone’s upper register.
Matt London asks some important questions about the “classical” tenor saxophone.
Bassoonist Christin Schillinger clears up some misconceptions about practicing.

Enjoy!

Favorite blog posts, November 2013

November 30, 2013January 1, 2018 ~ Bret Pimentel ~ 1 Comment

Some good stuff from the woodwind blogs in November:

I’m totally stoked that oboist Cooper Wright is blogging again, from a new location. Add this one to your RSS reader to follow his transition into a new job as co-principal oboist of the Thailand Philharmonic, and, of course, his endless reedmaking.
Saxophonist Steve Neff reviews the new John Coltrane Omnibook.
Helen Bledsoe searches for the elusive tin oboe. Spoiler alert: she doesn’t find one, but she tries some interesting things along the way.
Saxophonist Bill Plake warms up body and mind.
Bassoonist Betsy Sturdevant thoroughly prepares the Beethoven 4 solo.
Matt Otto takes a closer look at the 8th-note “swing” feel of three of the great jazz saxophonists. (Please don’t make the “oh, it’s just triplets” mistake.)
Jennet Ingle reminds us that effective doubling requires more than just being able to play the solos.
Adam at A Classical Journey is studying musical instrument repair and documenting the experience very thoroughly. The class has started its woodwind unit, so if you’re fascinated by this stuff like I am, then now is the time to tune in.

A few woodwind blogs you should be reading

August 18, 2010January 3, 2018 ~ Bret Pimentel ~ 6 Comments

: Photo, alcomm

If you’re a woodwind player and avid blog reader, you’re likely already following some prominent and popular bloggers like oboist Patty Mitchell (oboeinsight), flutist Jennifer Cluff, and clarinetists David Thomas (The Buzzing Reed) and Marion Harrington.

I read and enjoy all of these, but I would also like to suggest a few others that are particular favorites of mine. These are ones that I think have a somewhat smaller readership, although there’s not a good way to know that without asking nosy questions. So I could be wrong, but I’m guessing that some of these may be new to you. Check them out, and let us know in the comments what else you’re reading.

Also, read to the bottom for a couple of tips on reading blogs like you know what you’re doing.

In no particular order… Continue reading “A few woodwind blogs you should be reading” →