- Flutist Katherine Emeneth gives some advice to students preparing to rehearse with a collaborative pianist.
- Saxophone maker Steve Goodson discusses some of the developments related to his saxophones over two decades. Whether or not you have interest in Goodson’s instruments particularly, it’s an interesting look at saxophone manufacture and innovation. Long read.
- Bassoonist Christin Schillinger shares some insights on practicing and time management.
- On Powell’s Teach Flute blog, Morgann Davis discusses some pros and cons of the split-E mechanism.
- Bassoonist Betsy Sturdevant muses on playing in spaces with varying acoustical properties.
- Timothy Owen lists the three things you need to know to play the saxophone.
- Bassoonist Trent Jacobs explains some useful electronic effects for amplified bassoon playing.
- Clarinet Cache catalogs some useful online bass clarinet resources.
- Bassoonist Kristopher King recommends keeping an audition journal. (Warning: site has auto-playing music.)
Recommended reading from the woodwind blogs in March:
- “Komuso Lady” at A Shakuhachi Journey blogs about tsu meri difficulties. Even for players of “modern” Western woodwinds, there are good thoughts here on getting to know your instrument and its tendencies intimately.
- Betsy Sturdevant offers some commentary and tips on playing bassoon 1 on the Firebird Suite.
- Patty Mitchell shares some reed advice for oboe students.
- At the “MetOrchestraMusicians” blog, a nice infographic about reeds. (Hat-tip to Patty Mitchell for this one.)
- Saxophonist Timothy Owen explains his reed preparation and finishing process.
- Clarinetist Adam Berkowitz offers some insightful responses and expansions to my recent blog post about uncompensated gigs.
- Saxophonist Bill Plake keeps a level head about equipment (suitable for players of all instruments).
Here are some of my picks for some excellent woodwind-related blog posts from last month.
- Bass clarinetist Michael Lowenstern gives excellent advice on some topics (such as “biting”) that I think are not often taught well.
- Mark Catoe gives a workshop on teaching beginning clarinetists to cross the break. (Those are some mighty handsome fingering diagrams.)
- Chris Dunning takes us on a historical video tour of the saxophone in jazz.
- Clarinetist Adam Berkowitz manages the logistical details of a performance. Also: two habits worth having.
- Jennet Ingle bemoans the oboe’s caprices. “It’s not that playing the oboe is physically more difficult than any other instrument, it’s that the oboe doesn’t want you to get it.”
- Bassoonist Betsy Sturdevant chases the elusive high F.
- Oboist Patty Mitchell explains what it means to “know” a piece of music.
- Trent Jacobs gives a primer on amplifiers for woodwind players interested in going electric.
- Over at Music Collective, flutist Jessica Dunnavant discovers life beyond the university-teaching-job search.
- Timothy Owen offers some observations and advice on playing multiple sizes of saxophone.
- Clarinetist Heather Roche gives composers some insights on glissandi and air sounds, with extensive audio clips.
- Vanessa Breault Mulvey of the “Flying Flutistas” avoids “muscling up” on the flute. Also on the trapeze. Really.
- Cooper Wright gives his oboe a good cleaning.
- Woodwind player Ted Nash tells the story of how he nearly got adopted by Quincy Jones. “Part II to follow,” he promises.
- Meri Dolevski-Lewis gives some good common-sense tips to those working with a pianist for the first time.
Here are the woodwind-related blog posts that made my “nice” list for December. (One from late November seems to have slipped in here, too.)
- On his new blog, Timothy Owen explains how he tunes his saxophone like an M-16 assault rifle.
- Bassoonist Betsy Sturdevant (of the Columbus Symphony) reveals her basic reedmaking method.
- Cooper Wright doesn’t just play the oboe, he plays the concert hall.
- Theresa Koenig domesticates a wild recorder.
- David Freeman experiences a gig frustration common to woodwind doublers.
- Jennet Ingle plays the oboe while sick, and learns some things about her playing.
- Trent Jacobs shares a good contrabassoon fingering chart.
- Saxophonist Bill Plake discusses advanced metronome usage.
- Steve Moffett uses a vibrato exercise to develop his flute tone.
- Jeff Cunningham has a literary adventure in the saxophone’s upper register.
- Matt London asks some important questions about the “classical” tenor saxophone.
- Bassoonist Christin Schillinger clears up some misconceptions about practicing.