I was hoping to announce this a week ago, on the anniversary of the ReedCast™’s debut, April 1, 2015,but things got a little delayed. Anyway, you can now get your guaranteed-accurate, highly scientific ReedCast™ on your Alexa device. Check it out! You can, of course, still get your classic ReedCast™ on the web.
I was under the impression that there were advocates of jaw movement in bassoon articulation. A skimming of some pedagogical materials at hand seems to debunk this. 
Here are some videos from my recent Delta State University faculty recital. I enjoyed tackling Brett Wery‘s challenging Sonata for multiple woodwinds (flute, clarinet, alto saxophone) and piano, plus some little oboe pieces and the André Previn bassoon sonata. As always, the goal was to challenge myself, so, as always, the performance had some hiccups. But ... 
I have a vague memory from childhood, well before my bassoon-playing days, of learning that the bassoon had some special quality to its staccato notes. (From an educational tv show? a children’s book on musical instruments? I can’t recall.) My impression was that this sound was different in some way than staccato produced on other ... 
If you're considering a school where you might study with someone who isn't a performer on your double reed instrument, it would be worthwhile to find out their plan for teaching you reedmaking. 
Answers to questions submitted for the blog's 10th anniversary.