Here are some of my picks for some excellent woodwind-related blog posts from last month.
- Bass clarinetist Michael Lowenstern gives excellent advice on some topics (such as “biting”) that I think are not often taught well.
- Mark Catoe gives a workshop on teaching beginning clarinetists to cross the break. (Those are some mighty handsome fingering diagrams.)
- Chris Dunning takes us on a historical video tour of the saxophone in jazz.
- Clarinetist Adam Berkowitz manages the logistical details of a performance. Also: two habits worth having.
- Jennet Ingle bemoans the oboe’s caprices. “It’s not that playing the oboe is physically more difficult than any other instrument, it’s that the oboe doesn’t want you to get it.”
- Bassoonist Betsy Sturdevant chases the elusive high F.
- Oboist Patty Mitchell explains what it means to “know” a piece of music.
- Trent Jacobs gives a primer on amplifiers for woodwind players interested in going electric.
- Over at Music Collective, flutist Jessica Dunnavant discovers life beyond the university-teaching-job search.
- Timothy Owen offers some observations and advice on playing multiple sizes of saxophone.
- Clarinetist Heather Roche gives composers some insights on glissandi and air sounds, with extensive audio clips.
- Vanessa Breault Mulvey of the “Flying Flutistas” avoids “muscling up” on the flute. Also on the trapeze. Really.
- Cooper Wright gives his oboe a good cleaning.
- Woodwind player Ted Nash tells the story of how he nearly got adopted by Quincy Jones. “Part II to follow,” he promises.
- Meri Dolevski-Lewis gives some good common-sense tips to those working with a pianist for the first time.