Favorite blog posts, April 2019

See the woodwind blogs I’m following, and suggest others!

Favorite blog posts, February 2019

See the woodwind blogs I’m following, and suggest others!

Favorite blog posts, January 2019

See the woodwind blogs I’m following, and suggest others!

Favorite blog posts, November 2018

  • Stephen Caplan embraces plastic oboes. Related: Elizabeth Brown lists some signs that your wooden oboe has a crack.
  • Clarinetist Miranda Dohrman gives advice on building a freelance career.
  • Jennifer Mackerras provides solutions for recorders slipping and sliding around in your hands.
  • Peter Westbrook shares a 2003 interview with Herbie Mann, covering aspects of jazz flute playing, woodwind doubling, and more.
  • Oboist Jennet Ingle offers some suggestions on a good mindset for solo performance.
  • Clarinetist Jenny Maclay lists some reasons you might not be improving as much as you would like.

Favorite blog posts, October 2018

Favorite blog posts, September 2018

Recital videos, August 2018

Here are some videos from my recent Delta State University faculty recital. I enjoyed tackling Brett Wery‘s challenging Sonata for multiple woodwinds (flute, clarinet, alto saxophone) and piano, plus some little oboe pieces and the André Previn bassoon sonata. As always, the goal was to challenge myself, so, as always, the performance had some hiccups. But it was a valuable growth experience for me and a chance to perform some new repertoire.

Recording: Claude T. Smith Suite with Delta State Wind Ensemble

A few months ago I got to perform Claude T. Smith’s Suite for Solo Flute, Clarinet, and Alto Saxophone with the Delta State University Wind Ensemble, conducted by Dr. Erik Richards. It’s a fun showpiece for a woodwind doubler with band, which I’ve had a few opportunities to perform over the last 10 years.

The Suite requires more-than-casual doubling on flute, clarinet, and saxophone. (Some of the altissimo in my performance isn’t in the original part.) Like most of Smith’s music, the Suite is light and appealing, with some rhythm/meter hijinks and a hint of jazz influence. Worth tackling if you’re a serious flute-clarinet-saxophone doubler and get a chance to work with a good wind ensemble.

Here’s a YouTube video (audio only) of the April 11 performance:

Favorite blog posts, June 2018