The future of woodwind instruments

shallow focus photography of microscope

Here are a few predictions (or wishes) about the woodwind instruments we might be able to buy in the future.

Personalized ergonomics

With the amount of worry musicians expend over repetitive motion injuries and other playing-related ailments, it’s truly baffling that instruments are still almost entirely a one-size-fits-all affair.

For just one example: for generations, saxophonists have applied cork or other stuff to their palm keys to help avoid collapsing the hand to press them. Most of the finest saxophones in the world still offer palm keys in a single height, meant to accommodate child and adult hands, male and female hands, large and small hands. (A couple of exceptions are Keilwerth’s wrench-adjustable left hand palm keys, and Cannonball’s “Stone Series” instruments, which can be purchased or retrofitted with stone touchpieces of varying heights for both left and right palm keys.) And this is only one of the ergonomic issues of saxophones and other woodwinds.

Imagine buying a production woodwind instrument that had fully adjustable keywork that could be matched to your individual hands. This could be done with interchangeable parts, or with keywork adjustable via screws or other means.

Related to this is a need to re-examine the possibilities of plateau (“closed”) keys. Most of the modern woodwinds have at least some fingerholes or keys with holes in them, and these cannot be moved to accommodate ergonomics without affecting pitch and tone. But the touchpieces on a saxophone or bass clarinet can largely be located according to convenience, to open or close toneholes somewhere else on the instrument’s body. Our largely unfounded derision of plateau keys on woodwind instruments prevents us from embracing much better ergonomic possibilities.

New materials

Far too much credit is given to materials, especially if those materials are costly and pretty, for their contribution to an instrument’s sound. Inventors have created incredible new materials for aerospace, automotive, and electronics applications. Why couldn’t we make woodwind instruments out of amazing new materials that are inexpensive, crack- and dent-resistant, sustainable, lightweight, and beautiful? (Buffet-Crampon’s “Greenline” instruments are an example of high-quality instruments made from synthetic materials.)

A move to new materials could reduce investment in instrument purchase and maintenance, prevent the heartbreak of a new clarinet or oboe cracking, stop over-harvesting of certain woods, and reduce repetitive-motion injuries.

And it wouldn’t be the first time woodwind players gave up traditional materials for better ones; there aren’t a lot of players still using boxwood flutes and clarinets.

Imagine, too, the possibilities of reeds and pads that are long-lasting, stable, and consistent.

Player-maintainable

It’s axiomatic among woodwind players that good instrument technicians are getting harder to find. In my rural area, it’s a 2½-hour drive to a city where I can get my high-quality instruments worked on competently, by people doing instrument repair in their homes rather than in music stores or commercial repair shops.

Many woodwind instruments have at least some adjustment screws or other relatively intuitive ways to keep them adjusted and playing well. Installing pads is still somewhat of a specialist art, but imagine how that could change with improved materials for pads and for toneholes, and with approaches like MusicMedic’s “self-leveling” Neo Pads.

Imagine instruments that are user-adjustable using common household tools or tools included with the instrument, supplemented with detailed instructional videos. Some routine tasks like pad or bumper replacement could become the player’s responsibility, or something that could be done by a minimally-trained music store employee, school band director, or private teacher.

Your turn

Let me know what features and qualities you would like to see in the woodwind instruments of the future!

Do I really need…

crop man getting dollars from wallet

For woodwind doublers and lots of other musicians, the shopping list can go on and on. Do I need a clarinet in A? In E-flat? Do I need an alto flute? A contrabassoon? A bass saxophone? Clearly there’s no one-size-fits all answer, but here are some things to consider. It’s hard to predict which instrument … Read more

Experiments with electric woodwinds

I’ve been having fun with woodwinds enhanced with pickups or microphones. (If you’re interested in natively-electronic instruments like wind controllers, I’ve written about those elsewhere.) I still have a lot to learn about working with electronics. But here are a few observations in case anyone finds them helpful. Which instrument(s) to use? I find lower-pitched … Read more

Review: ClariMate digital clarinet mute by Buffet-Crampon

Bottom line: the ClariMate is an interesting gadget with potential for various uses, but it’s a little rough around the edges. Consider buying one now as a tech toy if you’re an early-adopter type, or wait for a new-and-improved iteration if you need something that just works. I recently got my hands on the “ClariMate,” … Read more

What kind of ligature should I get?

I’m on record as believing that clarinet and saxophone ligatures make little if any actual difference in how you sound. You’re welcome to disagree, but you might want to watch Michael Lowenstern’s video about it first. So, assuming the ligature has little direct influence on sound, what is the best kind to buy? Consider the … Read more

Why doesn’t my new mouthpiece work?

a person s hand holding saxophone mouthpiece

So you bought a new mouthpiece! How exciting. But wait—it’s not playing as well as you hoped. Maybe it squeaks, or some (or all) notes don’t come out very well, or the tuning is weird. Let’s consider some possible reasons why: A good rule of thumb is that a mouthpiece can’t give you skills, talent, … Read more

Pitfalls of giving musical instruments as gifts

gift box decorated with ribbon bow for present

Giving someone a musical instrument as a surprise is a generous and thoughtful idea. But getting it right can be tricky. Here are some things to consider: For serious musicians, like a student studying with a private teacher, a college music major, or someone who does any kind of (semi-)professional playing, an instrument is a … Read more

What is my old instrument worth?

close up shot of a flute

If you have an old musical instrument and are wondering about its value, here are a few things to keep in mind: Prepare yourself for the very strong possibility that it has little or no monetary value. The vast majority of musical instruments don’t increase in value over time. For most instruments there’s not a … Read more

Fox bassoon crutch modification

I use an inexpensive Fox plastic crutch on my bassoon. The shaft has always been a little too short for my preference, and I wasn’t interested in paying for a custom-made one, so I decided to attempt removing and replacing the shaft. I’m sharing this information here in case anyone else wants to do the … Read more

Should I buy something new?

shopping business money pay

Changing your instrument, mouthpiece, headjoint, reeds, etc. on a frequent basis isn’t productive, but sticking with the same equipment forever isn’t a virtue either. Here are some questions to ask yourself (or a trusted teacher or colleague) when you start feeling the itch to spend money on shiny new things: Does this new equipment make … Read more