- EG-REEDS (Éric González, oboe): The importance of previous postural and respiratory work at the beginning of the study of woodwind instruments.
- Rachel Taylor Geier (flute): The Myth of the Magic Formula
- Bill Plake Music (saxophone): For This “Career Ending Condition”, There Is Hope
- The Flute Examiner (Kelly Wilson): Do You See What I See?
- Jenny Maclay (clarinet): 10 Ways to Create More Musical Phrases
Rachel Taylor Geier
Favorite blog posts, March 2020
- Practice Monster (David Pope, saxophone): Circular Breathing
- Sax ProShop: #WednesdayWisdom: Sanitizing Your Mouthpiece & Instrument
- Trent Jacobs, bassoonist: Bassoon fingering chart and On communicable diseases and buying reeds
- heather roche: “Ultra-Underblow Mutiphonics”: Part 2 of the recategorisation of Philip Rehfeldt’s chart
- Rachel Taylor Geier (flute): Imperfect Balance – Hand Position Correctors
- The Bassic Sax Blog » (Helen Kahlke): Is a vintage sax right for me?
- The Vintage Clarinet Doctor – Blog (Jeremy Soule): mouthpiece porn vs Mouthpiece Monogamy
- The Flute View (Lauren Monteiro): 4 Rules for Recording Your Practice
- International Clarinet Association (Wesley Ferreira): Master Class: Fantasiestücke (Fantasy Pieces), Op. 43 by Niels Gade
- Jenny Maclay (clarinet): 31 Clarinet Compositions Written by Female Composers
- Music Major – Majoring in Music: Music School Decisions When You Can’t Visit
Favorite blog posts, April 2018
The flute bloggers were especially busy in April.
- Flutist Nicole Riner shares some research-based recommendations (from 2004) about gender stereotypes and school band programs.
- Jolene Harju Madewell prioritizes aspects of flute tone production.
- Michelle Barraclough discusses orchestra pit playing for flutists.
- Roderick Seed gives tips on improving flute resonance.
- Flutist Rachel Taylor Geier offers advice on recital preparation.
- Bassoonist Betsy Sturdevant continues her series of orchestral excerpt blog-masterclasses with the Berlioz Symphonie Fantastique.
- Woodwind player Larry Weintraub explores musical careers on cruise ships and in European publicly-funded ensembles.
Favorite blog posts, September 2017
- Flutist Jennifer Cluff offers advice on (not) playing with pain.
- Clarinetist Jenny Maclay invites you to enlist for Baermann Boot Camp starting October 1st.
- Cate Hummel shares tips on basic flute care.
- Flutist Jolene Harju discusses breaking the habit of playing “test notes.”
- Rachel Taylor Geier challenges you to test your flute knowledge with a quiz.
- Oboist Jennet Ingle finds inspiration in fancy fountain pens regarding “flourish.”
Each of these fine woodwind bloggers has been featured here repeatedly, so be sure to subscribe to their RSS feeds and/or social media streams. And get in touch to let me know who else I should be following! (You, maybe?)
Favorite blog posts, February 2017
Another month dominated by flute bloggers. Leave me a comment if there are excellent blogs by reed players that I should be reading.
- Jolene Harju shares a calendar of flute practice ideas. (It’s for February, but easily adaptable to other months.)
- Heather Roche continues her massive and thorough project documenting extended clarinet techniques with a chart of quarter-tone tremolo fingerings for bass clarinet.
- Flutist Nicole Riner shares resources for commissioning new music.
- Flutist Tammy Evans Yonce requires her woodwind pedagogy students to teach private mini-lessons.
- Flutist Rachel Taylor Geier offers suggestions on making a recording for a job application or audition.
- Cate Hummel explains playing the flute softly.
Favorite blog posts, November 2016
- Ben Britton looks at some common saxophone tone production issues.
- Flutist Deanna Mathews Kilbourne reminds us to play in tune, even alone.
- Oboist Jennet Ingle provides a peek into a “portfolio” career.
- I mentioned previously this post by clarinetist Jenny Maclay on cueing (and attempted to expand upon it). Jenny also takes a look at the A-flat clarinet.
- Cate Hummel gives advice on what order to teach new notes to beginning flutists.
- Saxophonist Steve Neff explores the question of how much the mouthpiece matters.
- I’m still enjoying Rachel Taylor Geier’s “practice blueprints” for flute repertoire. Here is Bach sonata #4.
- “Ericdano” at jazz-sax.com suggests some essential gig gear.
- Cynthia Ellis offers a brief thought on dynamics and the piccolo.
Favorite blog posts, October 2016
- Rachel Taylor Geier offers a “practice blueprint” for the Poulenc flute sonata. I also liked her post on playing second flute (applicable to players of other instruments, too).
- Meri Dolevski-Lewis makes a case for not hiring woodwind doublers for performing or teaching gigs.
- Flutist Deanna Mathews Kilbourne discusses what an electronic tuner (or tuner app) is and isn’t good for.
- Saxophonist Ben Britton explains his theory about ligature position.
- Chris Hankin lists and comments on classical-period flute concerti by composers who aren’t Mozart.
- Clarinetist Jenny Maclay shares warm-up routines in small, medium, and large sizes.
- Cate Hummel offers suggestions on teaching the flute’s third octave.
- “Quinn the Eskimo”(?) expounds the history of the Mazzeo-system clarinet, with references.
- Eryn Oft discusses bassoons in the less-than-$5000 category. (Fair warning: she appears to have some kind of financial arrangement with one of the makers in question.)
- Bassoonist and historical-woodwinds player Theresa Koenig shares her experience with practicing and Alexander Technique.
- Saxophonist Bill Plake recommends practicing with vision.
Favorite blog posts, September 2016
So many great woodwind blog posts in September. The flute bloggers are on fire!
- Deanna Mathews Kilbourne offers some fingering tips for the flute’s notoriously sharp C-sharp.
- Oboist Jennet Ingle explores quarter tones. Also, an open letter to her students about making their own reeds.
- Flutist Nicole Riner shares some creative practice tips.
- Ed Joffe discusses the history of woodwind doubling.
- Flutist Angela McCuiston gets into some nuts and bolts of teaching lessons remotely via internet.
- Bassoonist Jolene Mason experiences burnout.
- Flutist Andrée Martin warns against mindless, repetitive practicing.
- Joan Martí-Frasquier provides an annotated list of amateur/student-appropriate baritone saxophone repertoire.
- Flutist Rachel Taylor Geier offers some suggestions on lesson scheduling.
- Viviana Guzman reports on the National Flute Association conference.
Favorite blog posts, May 2016
- Saxophonist Michael Shults advocates a thoughtful approach to musical versatility (doubling, playing jazz and classical music, etc.).
- Wistam Boustany discusses power vs. economy in flute playing.
- Oboist Jennet Ingle compares methods of ensuring playable performance reeds.
- Saxophonist Sven Seebeck suggests tips for trying out mouthpieces.
- Rachel Taylor Geier explains the flute’s C-sharp trill key.
Favorite blog posts, February 2016
Some woodwind blog posts I liked in February:
- Bassoonist Barry Stees shares an interesting idea about reed autopsies, plus a method for practicing the Rite of Spring solo.
- Oboist Patty Mitchell has some advice for students who think they have unfixable technique problems.
- Rachel Taylor Geier has some suggestions if you need more flute etudes to work on.
- Saxophonist Andy Austin discusses the role of passion in pursuing a musical career.
- Specific instrument brand/model recommendations should always be taken with a grain of salt, but woodwind doubler Josh Johnson discusses the importance of backup instruments, plus some of the issues involved with choosing instruments for situations where crack-proofness is important.
- Clarinetist Meri Dolevski-Lewis shares a process for developing sight-transposition skills.
- Flutist Jennifer Cluff offers some ideas on increasing success on the problematic high B.
- Jolene Harju plays the flute with her feet. (Okay, it’s really a post about having “a grounded, rooted connection between the feet and the floor.”)
- Gaenor Burchett-Vass discovers some favorite treasures of the English horn repertoire.
- Clarinetist Sandy Herrera seeks a new balance between a musical career and family life after having a baby. (Congratulations, Sandy!)