Mindset shifts for college music majors

a woman playing clarinet

Here are some mindsets that I find can hold college music majors back from reaching their potential—or can launch them to the next level.

From “This is how I was taught” to “I’m here to explore new ideas.

I can’t tell you how many times I’ve suggested a better fingering option to a student who resists because they already know a different fingering and would rather not have to remember a new one. But my most successful students are curious to learn new things and try them out. Someday you’ll have the option to choose your own path, but you’ll do so from a place of experience, not habit.

From “I have to practice for hours” to What can I get done in ten minutes?

Mastery takes time, but the quality of that time is what really gets results. I’ve had students suffer alone in practice rooms all week with nothing to show for it. But if they can set a few small goals and spend a few minutes pursuing each of them in a focused way, by their next lesson they have measurable progress, the confidence to show it off, and a grade that reflects it.

From “I’m never going to use this” to “I’m building a versatile skill set.”

My students often have very clear ideas about what they will and won’t be doing in their careers. But working in music and/or education can mean wearing a lot of different hats, and broad knowledge and experience can have surprising advantages.

From “My teacher my is judge and executioner” to “My teacher is on this journey with me.”

Rather than playing your assignment for your teacher and nervously waiting for a verdict, let your teacher be a guide and consultant. Be ready to outline and demonstrate your successes and frustrations from the week, and ask for help and advice on what’s holding you back. It’s not you versus your teacher—it’s the two of you versus the technical and musical challenges.

From “I don’t play well enough to perform in front of others” to I have something to share.”

My students perform frequently for other music majors, for faculty, and for public audiences. It’s pretty normal to feel inadequate to the task or to feel outclassed by others. But our audiences, even when they are our peers or teachers, want us to succeed. If you see your performance as a gift rather than a test, you never know who you might impress, inspire, or uplift.

Which of these mindset shifts feels the most uncomfortable to you? Often the one that scares us the most is the one that offers the biggest breakthrough. Let’s do this!

What I learned going back on the academic job market

In 2009, I finished a doctoral degree in music performance, and landed a job at a small university in a rural area. Like many young academics, I assumed it would be a stepping stone. In those early years, I interviewed for a number of other positions, and generally found that they would be lateral moves. … Read more

Synthetic clarinet reeds follow-up

I’ve posted a few times previously about synthetic reeds, which I believe are the inevitable future of woodwind playing. Last June (2025) I published an article in The Clarinet surveying the clarinet reeds currently on the market. Because The Clarinet doesn’t endorse specific products, I stuck to factual information about the reeds I sampled. Eight … Read more

Favorite blog posts, December 2025

Hand-picked high-quality woodwind-related blog posts from around the web, December 2025 edition.

Favorite blog posts, November 2025

Hand-picked high-quality woodwind-related blog posts from around the web, November 2025 edition.

Favorite blog posts, October 2025

Hand-picked high-quality woodwind-related blog posts from around the web, October 2025 edition.

Recital videos, September 2025

I’m pleased to share videos from my recent faculty recital at Mississippi State University. The program was all unaccompanied solo works for clarinets and saxophones. Here’s the program and video playlist: