Tag: fingering selection
Why do I need to use alternate fingerings?
Woodwind instruments including the flute, oboe, clarinet, bassoon, and saxophone all have more than one fingering for some notes. Why is that, and do you need to learn them all?
Do woodwind instruments have similar fingerings?
I get lots of emails and search traffic from people trying to find the answer to questions about woodwinds and “similar” fingerings: Do they use the same or similar fingerings? Which instruments are the most similar? Can I use fingerings from _____ instrument on _____ instrument? I’ve addressed before why these questions might be coming …
Woodwind doubling and clarinet problems
Here are a few of the common problems woodwind doublers have with the clarinet: Flabby/saggy/tubby/airy tone and flat pitch. This is a dead giveaway for a self-“taught” clarinet doubler. The clarinet’s voicing is quite high, higher than any of the other woodwinds, and beginning clarinetists sometimes struggle for years to make that proper voicing a …
Woodwind doubling and oboe problems
There’s an increasing expectation that woodwind doublers be competent and confident oboists. It can be a challenging double, but a worthwhile one. Many of my doubling gigs have come to me because of my ability and/or willingness to play the oboe. And even though it’s not my strongest instrument, there are considerable spans of my …
Making sense of third-octave flute fingerings
I recall as a beginning flutist (coming from background in saxophone) finding the third-octave fingerings to be a confusing, illogical jumble, but they do actually make some sense. There is an incorrect explanation for these fingerings that I hear every so often, and have seen published on a couple of flute-related blogs recently. It goes …
