- Clarinetist/doubler Gentry Ragsdale-Szeto finds ways to squeeze in practice on multiple instruments.
- Oboist Patty Mitchell discusses the energy musicians put into playing, teaching, and listening to themselves.
- Clarinetist and saxophonist Andrew Allen explores some difficulties and benefits of playing and teaching multiple instruments.
- Flutist Jolene Harju shares tips on keeping double-tongued notes resonant.
- Clarinetist Jenny Maclay doesn’t play rests, but does observe silences.
Random Note Picker, version 0.3
The Random Note Picker web app got a facelift and a few new features. I use this mostly for quizzing my students on their scales. Two features added by popular request: a timer function, so you can generate new groups of random notes every few seconds hands-free, and (optional) double-flats/double-sharps. Check it out, and send … Read more
Woodwind doubling on both oboe and bassoon
Mid- to late-20th-century music written for woodwind doublers, such as musical theater “books,” largely solidified around three main types of doubling specialists. The most common of these is the clarinet/saxophone/flute player. Less common but still widely used are the oboist with passable single reed skills, and the “low reeds” bassoon/bass clarinet/baritone saxophone player. In the … Read more
How are you going to improve this?
Practicing without a plan rarely produces the desired results.
Favorite blog posts, May 2017
Hand-picked high-quality woodwind-related blog posts from around the web, May 2017 edition.
New book! Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone
I’m pleased to announce the release of my book, Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone. I wrote it with woodwind methods/techniques classes in mind, but I think it also works well as a reference for private teachers at any level, or for woodwind players, especially woodwind doublers.
Staying motivated for summer practicing
For musicians on an academic schedule, summers are often wide open. This can be a great opportunity to get ahead, or a bottomless pit of procrastination and idleness. Here are some ideas for staying motivated to get some summer practicing done.
Quick flute switches and embouchure problems for woodwind doublers
Lots of woodwind doubler horror stories have to do with quick switches to flute or piccolo. (“Twenty minutes of hard-driving R&B tenor saxophone, then two bars to switch to flute and enter pianissimo in the third octave…”) Doublers in this situation often beat themselves up about perceived deficiencies in their flute embouchures, and commit to even … Read more
Interview: Jonathan Tunick, Broadway orchestrator and more
Jonathan Tunick is a show business legend: a composer/arranger/orchestrator/musical director for stage and screen; a collaborator with Stephen Sondheim, Placido Domingo, Barbra Streisand, and too many more to mention; and a winner of many awards. Needless to say, I was thrilled to hear from Mr. Tunick a few years ago, when he contributed some information … Read more
Favorite blog posts, April 2017
Hand-picked high-quality woodwind-related blog posts from around the web, April 2017 edition.