- Jolene Harju lists some favorite flute recordings.
- Woodwind player Larry Weintraub shares information on careers in military bands.
- Bassoonist Anna Norris is writing a series of posts on playing John Williams’s Five Sacred Trees.
- Flutist Roderick Seed explores issues surrounding cheek puffing and chin pressure.
- Clarinetist James Zimmermann discusses the relationship between the clarinet and bassoon cadenzas in Scheherezade.
Anna Norris
Favorite blog posts, April 2017
- Bassoonist Anna Norris suggests showing up for auditions.
- Michael Shults switches between jazz and classical saxophone.
- David Freeman transcribes recorder parts for Stairway to Heaven (but plays them on an electric keyboard…).
- Michael Lowenstern addresses a bass clarinet reed question.
- Flutist Vanessa Breault Mulvey discusses squeezing’s detrimental effect on flute playing [update: link dead].
- Saxophonist Bill Plake discusses tone imagination.
- Flutist Jolene Harju shares ideas for getting the most out of your lessons. I also liked her “Fundamentals Workout Planner.”
- Jennet Ingle learns something about disappointing performances.
- Saxophonist Jay Brandford shares an Eric Dolphy anecdote about dedication to detail in practicing.
- Matt Stohrer shares his procedure for “setting up” a new saxophone. This is sort of a commercial post, but instructive about what a new instrument might need to play to its best potential.
- Flutist Jennifer Cluff explains anchor tonguing.
Favorite blog posts, October 2014
Lots of very fine woodwind-related blog posts this month.
- Barry Stees exposes a common bassoon technique weakness (even for players at the highest level) and begins to explore solutions (promising more to come).
- Oboist Susan Laney Spector explains some of the difficulties musicians face in the highly-competitive world of orchestral auditions.
- Jennet Ingle has a breakthrough with an oboe student just by teaching some vocabulary.
- Saxophonist Bob Reynolds does some YouTube archaeology and shows the difference a couple of decades can make in musical maturity, even for a very accomplished player.
- Anna Norris and Nicolasa Kuster each share their experiences auditioning for the Chicago Symphony principal bassoon vacancy.
- Cate Hummel advises against the “kiss and roll” method of teaching flute.
- Oboist Patty Mitchell comments on practicing quantity vs. quality.
- Jennifer Cluff shares a methodical flute warmup.
- Flutist Katherine Emeneth shares a roundup of tips for “potent practicing.”
- Saxophonist Bill Plake explains how to approach technique a little less, well, technically.
- David Pierce rounds up some editions and recordings of the Mozart bassoon concerto.
- “The Phantom Clarinet” at the Adventures in Woodwindland blog explores the extended low register of the bassoon [update: link dead].
- Saxophonist Ben Britton reviews a new weird gadget that, to my surprise, seems to be getting a number of positive reviews. (I haven’t tried it.)
- On Powell Flutes’s Flute Builder blog: how a wooden headjoint is cut.
Favorite blog posts, April 2014
- Bassoonist Barry Stees continues his in-depth and insightful series on interpretation, with installments on motive and harmony.
- Flutist Cindy Ellis offers ten piccolo tips.
- Oboist Christa Garvey shares a breathing exercise for quieting performance nerves.
- Saxophonist Ben Britton experiments with some improved altissimo fingerings. And of course I would be remiss not to mention his very attractive saxophone fingering diagrams.
- Woodwind doubler Steve Moffet considers practicing instrument switches.
- Heather Roche catalogs extended clarinet articulation techniques.
- Bassonist David Pierce offers six words to inspire performers.
- Anna Norris explores some issues with beginners and the bassoon.
- Oboist Jill Cathey plays her scales backwards.
- Contraforte-ist Kristopher King shares his reed dimensions for this intriguing instrument.
- Oboist Patty Mitchell asks a question worth considering about music students and immunizations.
- Clarinetist Michael Dean addresses a surprising connection between posture and embouchure.