The Random Note Picker web app got a facelift and a few new features. I use this mostly for quizzing my students on their scales.
Two features added by popular request: a timer function, so you can generate new groups of random notes every few seconds hands-free, and (optional) double-flats/double-sharps.
Check it out, and send me your bug reports, feature requests, or other thoughts and comments.
I always think that the worst blog posts are the ones where people blog about their blogs. So brace yourself. Sorry. I try not to indulge in this kind of thing too often.
Anyway, today is the fifth anniversary of my first, rather inauspicious blog post. (You might notice that I do have posts dated older than that; those are older writings, many from college courses, that I retroactively turned into blog posts.) Five years isn’t that long by most measures, but it seems that, in the sea of abandoned blogs out there, five years and still active isn’t something to take for granted.
What excites me even more than the traffic is the engagement. I’ve been pleased and flattered to hear from many, many of you—everyone from young, aspiring doublers to old friends to colleagues in academia to musicians who are some of my real heroes. Thanks for your emails, blog comments, content contributions, donations, and other shows of support.
I released version 0.6 and then version 0.7 of the Fingering Diagram Builder. Most of the improvements were either minor fixes or additional instruments, such as the Viennese oboe, the Albert/Oehler clarinets, and the French bassoon.
I shared interviews with woodwind players Sal Lozano and Sarah Cosano. (Nominations welcomed for future interviews.)
I did another 12 monthly installments of my favorite blog posts. Last year I reported that I was tracking about 500 woodwind-related blogs. Now it’s at about 600. Drop me a line if you have one (such as yours) to recommend.
Most years I complain a bit about how nobody liked my April Fool’s Day joke post, but this year’s entry attracted enough attention to be embarrassingly gratifying. (The weather info seems to be temporarily[?] broken due to a thing beyond my control. Sorry.)
If you have read anything interesting or useful here during the past year, I hope you will consider leaving a comment, getting in touch via email or social media, buying a shirt or sending a donation, contacting me aboutadvertising opportunities for your relevant business, and/or pointing your all your woodwind friends toward bretpimentel.com.
Thanks for reading in 2015, and best wishes for the new year!
This year I played all jazz at my Delta State University faculty recital. Program and some selected videos are below.
I’m very much a part-time jazz player, so it was fun to spend the summer trying to get my chops in shape to play tunes in a variety of styles on a variety of instruments. This was my new record for number of instruments on a recital: flute, oboe, clarinet, bass clarinet, bassoon (electric bassoon), soprano/alto/tenor saxophones, and EWI, 9 in all. I’ve written previously about the challenges of improvising on multiple instruments, which I suspect might be surprising to non-doublers or non-improvisers.
An additional challenge is that I live in a small town in an isolated area, so I had to bring in some rhythm section players from out of town and rehearsal time was extremely limited. Enjoy the videos warts and all.
I have previously done some things with bassoon and electronics, but I took that to a new level this time around with a Little Jake pickup and a few new effects pedals. This was lots of fun and I’m already brainstorming how I can use the Little Jake with some other instruments.
The pedalboard setup I used for electric bassoon and EWI
He’s hoping his skills on multiple instruments will eventually land him commercial gigs or even a position playing in a pit for musical theater performances.
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“The most important thing now is to find something unique about my playing that I can market in a positive way.”
I have released version 0.7 of the Fingering Diagram Builder. Mostly it supports some new instruments. Let me know if you run into bugs or have suggestions or feature requests.
Here’s what’s new:
I fixed a bug that was preventing saving custom presets. Not sure if anybody noticed.
Viennese oboe diagrams.
German clarinet diagrams, in Oehler and Albert variants.
French bassoon diagrams, in Jancourt and modern Buffet variants.
The (Conservatory) oboe diagram now (optionally) has a thumb low B key.
The (German/Heckel) bassoon diagram now (optionally) has an offset C-sharp trill (hat tip to Trent Jacobs).
European woodwindy goodness. L-R: Viennese oboe, Oehler clarinet, Buffet bassoon
Note that I do not play or own a Viennese oboe, an Oehler- or Albert-system clarinet, or a French bassoon, nor am I suitably fluent in European languages to 100% understand the related pedagogical literature, so I could really use some assistance on making sure these new diagrams look right and things are named properly. Please don’t hesitate to get in touch if you have suggestions/improvements.
As always, I’m glad to hear from folks who are using the FDB, and to see the cool things you are making (websites, blog posts, books, posters, handouts…). The FDB generates thousands of images every month, which I think is pretty cool.
Would be great if it played the notes out loud after the the timer ended to check you got them correct