Please stop telling your clarinet students to tighten their embouchures

“Tighten your embouchure” is bad advice for young clarinetists.

That goes for young saxophonists, too, and really for any young woodwind players. But young clarinetists hear it often because their pitch is flat and their tone lacks focus. “Tighten your embouchure” gets thrown around as a fix-all, except it doesn’t fix all. It doesn’t fix anything. Unless your students are actually leaking air around the mouthpiece from utter slack-jawedness. In that case, they should tighten, but only a little.

The real issue isn’t embouchure, it’s voicing. Good clarinet playing requires a high voicing. (The opposite of almost every other instrument in the beginning band.) That’s why your clarinet section is flat and tubby-sounding. Tell them to blow ice-cold air, which fixes the voicing problem. Train them to back it up with powerful breath support. Let them relax their embouchures—not tight, just airtight. And enjoy the clear, full, ringing, and in-tune sounds!

photo, Melody Joy Kramer
photo, Melody Joy Kramer

Things you need to cover in woodwind methods class

If you are teaching a woodwind methods course, you might be interested in my book.A few years back I posted a rant about non-mission-critical information in woodwind methods textbooks. This is a course primarily for instrumental music majors, who will go on to become school band or orchestra directors, and who need a crash course … Read more

The role of tone exercises

Tone exercises are useful, sort of. Read last month’s post about tone for a reminder why tone exercises are only part of the process. Here is what tone exercises do: Excellent tone exercises demand solid fundamental tone-production technique, providing a chance to habituate useful muscular actions. Trevor Wye’s “Flexibility I” flute exercise is a perfect example. (I suggest you buy the whole Trevor … Read more

Favorite blog posts, April 2016

Hand-picked high-quality woodwind-related blog posts from around the web, April 2016 edition.

Practicing and breathing

Sometimes we forget to practice breathing. Don’t let your performances be derailed by panicky breathing—practice the breaths just like you practice the notes.

Follow @woodwindtips on Twitter

I have started up an additional Twitter account, @woodwindtips, which I encourage you to check out for several-times-per-day tips on woodwind playing. Enjoy!

Favorite blog posts, March 2016

Hand-picked high-quality woodwind-related blog posts from around the web, March 2016 edition.

Woodwind doubling for flutists

Here is a cleaned-up version of my lecture notes from a presentation on woodwind doubling I gave last week at the Mid-South Flute Festival: Woodwind doubling for flutists What is doubling? Primary-to-secondary doubling: Playing multiple instruments within a family, such as flute (primary), piccolo (secondary), and alto flute (secondary) Primary-to-primary doubling: Playing instruments from different families, … Read more

Repair or buy new?

Should you have your old (woodwind) instrument repaired, or put the money toward a new one? Here are a few things to consider. First, you should understand the difference between having “playing condition” repairs done and having a full overhaul done. The overhaul is an expensive service, often costing a significant percentage of what you would spend … Read more