- Flutist Terri Sánchez blogged like crazy this month, with many downloadable exercises and practice ideas. A few I liked included this one-minute warmup, these harmonics exercises, these 100 ideas for getting “unstuck,” and this advice on creating your own warmups.
- Heather Roche shares some clarinet works by female composers. (Check the comments section for more.)
- Flutist Jolene Harju does an interesting video experiment with expressive body movements.
- Clarinetist Jenny Maclay suggests practicing recovery from mistakes.
- Ed Joffe shares his experience with developing a multiple woodwinds graduate degree program.
- Flutist Andrée Martin discusses priority scheduling for practicing and for life.
- Barry Stees offers some tips and tricks for playing low, soft orchestral bassoon parts.
- Flutist Vanessa Breault Mulvey shares ideas on being observant of your own playing [update: link dead].
- Saxophonist Sam Newsome recommends slow progress. He also shares some interesting experiments in “prepared” soprano saxophone.
- Cate Hummel warns against some small but problematic flute habits.
Woodwinds: Clarinet
Favorite blog posts, April 2017
Hand-picked high-quality woodwind-related blog posts from around the web, April 2017 edition.
Favorite blog posts, February 2017
Hand-picked high-quality woodwind-related blog posts from around the web, March 2017 edition.
Review: “So You Want to Play in Shows…?” by Paul Saunders
I got a review copy of So You Want to Play in Shows…?, a new woodwind doubling etude book. The author, Paul Saunders, is a woodwind player in London’s West End. The book includes seven studies for doubler playing flute, clarinet, and alto saxophone. It also includes a piano accompaniment book, with piano part recordings available … Read more
Favorite blog posts, January 2017
Hand-picked high-quality woodwind-related blog posts from around the web, January 2017 edition.
Low reed stand showdown: K&M vs. Hercules
Overall, I guess I lean toward the Hercules a little for bass clarinet, mostly because I could add, say, pegs for B-flat and E-flat clarinets and be ready for a utility clarinet gig. And I like the K&M slightly better for bassoon because its larger, softer cup makes a better target during a quick instrument switch.
Favorite blog posts, December 2016
Hand-picked high-quality woodwind-related blog posts from around the web, December 2016 edition.
Favorite blog posts, November 2016
Hand-picked high-quality woodwind-related blog posts from around the web, November 2016 edition.
Student-selected online woodwind pedagogy articles, 2016 edition
What I want my class to get from the assignment is a sense of how to sift through the information (“information”) available online, taking into account the author’s credentials or sources, a common-sense evaluation of ideas, and applicability to a particular teaching situation. Be careful out there.
Woodwinds and “altissimo” registers
I recently had a saxophone student perform a repertoire piece with some altissimo technique in it, and a non-woodwind-playing musician asked me afterward about the instrument’s extended range. This led to further questions about “altissimo” on other instruments. The answers are a little complicated, but here is some information: The term “altissimo” suggests an extreme high … Read more