Woodwinds: Bassoon

Faculty woodwinds recital, Aug. 30, 2011

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Bret Pimentel, woodwinds
Kumiko Shimizu, piano

Faculty Recital
Delta State University Department of Music
Recital Hall, Bologna Performing Arts Center
Tuesday, August 30, 2011
7:30 PM

Program

Divertissement for multiple woodwinds and piano
Sy Brandon (b. 1945)
World premiere

  1. Intrada
  2. Nocturne
  3. Valse
  4. Marche
  5. Romanza
  6. Galop

Caprice en forme de valse for alto saxophone
Paul Bonneau (1918 – 1995)

Sonata for oboe and piano
Francis Poulenc (1899 – 1963)

  1. Elégie
  2. Scherzo
  3. Déploration

Sonata for clarinet and piano
Francis Poulenc

  1. Allegro tristamente
  2. Romanza
  3. Allegro con fuoco

Ode to a Toad
Ray Pizzi (b. 1943)

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Review: Rico reed cases

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I’ve been trying out the Rico single and double reed cases. These are plastic cases that can optionally accommodate Rico’s “Reed Vitalizer” packets, which, according to Rico, help keep your reeds at your desired humidity level. The single reed case holds eight reeds, baritone saxophone or smaller, and the double reed case holds five double reeds, oboe or bassoon. (I found contrabass clarinet reeds to be just a little too large for the single reed case. The double reed case holds English horn reeds just fine, but doesn’t work for oboe d’amore or contrabassoon.)

Detailed review follows, but here is the quick summary:

Price reasonable initial investment; pricier if you regularly buy additional Vitalizer packs
Looks handsome
Humidity undecided
Design flawed

Price

Current street price on both the single reed case and the double reed case  seems to be about $20. This includes one Reed Vitalizer pack. If you choose to use the Reed Vitalizer packs on an ongoing basis, they go for about $5 apiece, and Rico says you will need a new one every 45-60 days (so, up to around $40/year, not counting tax or shipping).

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Historical woodwind recordings on the National Jukebox

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Photo, alexruthmann

The United States Library of Congress’s National Jukebox project makes American recordings from the days before microphones available for streaming online. This is a fantastic resource for recordings—classical, jazz, and more—from the turn of the 20th century until the mid-1920’s.

These recordings are not in the public domain, like you might think; Sony, the owner of the recordings, has given the Library of Congress special permission to stream them.

Naturally, I’ve been searching the National Jukebox for woodwind players, and here are a few of my favorite discoveries. Some of the gems include oddities like the Heckelphone and bass saxophone, and there are a few woodwind doublers in there, too. Take note of how woodwind playing, like recording technology, has changed over the past century!

To kick things off, here’s a nice tour of the woodwind section of the Victor Orchestra in 1912:

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A few more woodwind blogs you should be reading

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A few months ago I posted some of my recommendations for good woodwind-related blogs, and shared a couple of tips on getting the most out of your blog reading. I’ve got a few more favorite blogs I’d like to share today, and another blog-reading tip, too.

This time I came up with a blog each for flute, oboe, clarinet, bassoon, and saxophone, plus a bonus one. Here they are in no particular order:

Barrick Stees (Barry Blogs)

Barrick Stees is the assistant principal bassoonist in the Cleveland Orchestra, and a professor at the Cleveland Institute of Music and the University of Akron. His blog is fairly new (started earlier this year) but is already full of good stuff. Professor Stees shares some insights on playing excerpts at a level suitable to one of the great American orchestras:

He also keeps a travelogue of his tours with the orchestra, and comments on other items of interest to professional or developing musicians, such as:

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Don’t adjust your best reed

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Photo, stonelucifer I worked on reeds today (both single and double). My favorite reed tip: don’t adjust your best one. Adjust some others until one of them is the best, and then go back and work on the first one if you like. Adjusting reeds can be a little risky, so gamble on a reed … Read more

Fingering diagram builder, version 0.2

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Two months ago I introduced the Fingering diagram builder, something that I hoped people would find useful for quickly and easily creating fingering diagrams for woodwind instruments. Since then, something over 1,000 fingering diagrams have been downloaded, which I think is a nice start.

Many of those have been saxophone fingerings, and I attribute this to some kind mentions among the saxophone-blogger community (thanks Doron, Eric, David, Neal, Alistair, and Anton!).

Now I’m pleased to announce the new-and-of-course-improved version 0.2. Go take it for a spin, or read on about the new goodies:

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Required recordings, spring 2011

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Once again it’s time for required recordings. This semester, I’m having my each of my students add a good chamber music recording to their library. The students required to buy these recordings are technically enrolled in applied lessons, which means they study solo repertoire, although I do also coach some of them in chamber music. … Read more

Introducing the Fingering diagram builder

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I’m pleased to present something I’ve been working on, on and off, for a while now. I’m pretty excited about it, and I hope you will check it out and let me know what you think.

This project developed from my own need to quickly and easily create fingering diagrams for the woodwind instruments that I play and teach. Frequently I find myself scribbling saxophone altissimo fingerings onto a scrap of paper during a private lesson, cutting-and-pasting at the photocopier to put together simplified charts for a woodwind methods class, or penciling cryptic markings into musical scores to remind myself which pinky finger to use.

And so, I’m pleased to introduce the Fingering diagram builder. I hope you’ll take it for a spin.

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Multiple woodwinds commission, third movement (bassoon)

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I’m excited about the progress on Divertissement, the new piece for multiple woodwinds by Sy Brandon. He has posted his work on the third movement, the clever Valse for bassoon and piano. I’ve submitted a comment at his blog regarding some matters of tessitura. Dr. Brandon keeps comments under tight moderation, so my remarks may … Read more

Woodwind doubling recital program, Northwestern University, 1950

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A new Internet friend shared this gem with me (click for slightly larger):

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