Fix fixable problems now

Just about every day I have a student show up for a lesson with an etude or repertoire movement they have been working on for a week or more, and there are little, silly problems that haven’t been fixed:

  • A spot where a fingering choice needs to be made, but hasn’t.
  • A page turn in an awkward spot.
  • An unfamiliar foreign term that hasn’t been looked up.
  • An ambiguous accidental that need to be double-checked against the piano part.

It’s easy for them (or me) to ignore or procrastinate small but easily-fixable issues while busily drilling technical passages. But I know they—and I—are doing our best work when those details don’t slip through the cracks.

It’s not worth it to spend a week practicing something in an incorrect or compromised way because you haven’t gotten around to fixing the fixable problems. Would any of these help you solve those issues more promptly?

  • Print an alternate/trill fingering chart and keep it with your practicing stuff, or bookmark an online one on your phone.
  • Put a few dollars on your copier/printer card/app so you can photocopy a page when needed.
  • Keep a good music dictionary in the pocket of your instrument case.
  • Keep your piano score and solo part together so you can always use them in tandem.

Consider what other easily-fixable problems you haven’t bothered to fix, and ask yourself what you can do to remove friction so they get solved right away next time you practice.

Thinking through scales

My university woodwind students have to pass a scale exam as one of the requirements to progress in their degree program. They have to be able to play major scales and three forms of minor scales, plus arpeggios, through the “full range” of the instrument, from memory. Many of my students learned their major scales … Read more

Planning breaths

When learning a new étude or repertoire piece, it’s common to practice at first with focus on the notes, often playing them at a slow tempo and/or divided into chunks. This is a good approach for mastering the needed finger technique, but it may neglect one of the crucial parts of a performance: breathing. In … Read more

Music practice and technical debt

In a perfect world I would always tackle an issue head-on. In reality sometimes a looming performance means plastering over the problem and promising myself I’ll fix it later, at a greater price.

Grading student practicing

When I was a first-year undergraduate music major and not yet fully convinced of the importance of practicing several hours per day, a nudge/threat scared me into changing my ways. But the sudden “motivation” to apply myself a little better soon started paying off. It’s exciting to see my students making that same transition.

Prepping the dumb guy

In the practice room, I’m smart, organized, and focused. But sometimes the smart guy from the practice room fails to show up, and instead a much dumber version of me ends up on the stage.

Preventing accidents with pencil marks

After some recent windy weather I saw someone in my neighborhood cutting up some fallen tree branches with a chainsaw. He wore jeans and sneakers and handled the saw with something less than familiarity.

Later, I saw a professional tree removal crew working at a similar task. They operated their chainsaws expertly and with confidence, and wore helmets, eye and ear protection, and heavy protective clothing.

I thought the amateur might really be the one in need of safety gear. But the professionals showed up equipped to do the job right, do it promptly, and do it without mishaps.

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Recording your practicing

“Record yourself when you practice” is common advice, and good advice. I frequently recommend it to my students, but few of them do it. I think it can seem overwhelming. Recording seems like a big production: getting the material to performance level, using complicated and expensive equipment, playing beginning to end, doing cruelly thorough analysis followed by self-flagellation and sadness.

Here’s a simple, effective, low-stress approach that I use:

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Staying motivated for summer practicing

For musicians on an academic schedule, summers are often wide open. This can be a great opportunity to get ahead, or a bottomless pit of procrastination and idleness. Here are some ideas for staying motivated to get some summer practicing done.

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