- The Flute Examiner (Kelly Wilson): Why We Should Love Our Ribs
- Blog :: –– Jason Alder :: (Bass) Clarinetist: A Guide to Understanding Bass Clarinet Clef Notation
- JQ Flute (Jessica Quiñones): 5 things I no longer believe about flute playing.
- Sax ProShop: #WednesdayWisdom: Making Saxophone Low Notes that whisper and wail! It’s all in the set-up.
- Bill Plake Music: The Value Of Having (But Not Always Following) A Daily Practice Plan
- International Clarinet Association: How to rock your college music auditions
- ProneOboe (Jennet Ingle): Reed Mindset
- Nicole Riner, flutist: You Will Survive Your College Auditions
Updated: Music for woodwind doublers
As of February 2020, I’ve made some substantial updates to my catalog of music written for players of multiple woodwind instruments: Music for woodwind doublers There are a few pieces I have listed as currently being researched, mostly cases where I am awaiting responses from composers. And I now have a special section for pieces … Read more
Playing professional whole notes
I have spent many hours of my life absorbed in difficult études and repertoire. Challenging music pushes the limits of my abilities. But when I actually get hired to play music, it’s almost never anything that complicated. Many of my workaday gigs are very easy—on paper. One part of my career is playing with a … Read more
Working less hard
On some level it feels more like teaching if I can tell a student a new thing to do. Assign them an additional task. But the most productive and valuable lessons (or personal practice sessions) are often the ones when I can convince a student (or myself) to do one fewer thing.
Favorite blog posts, January 2020
Hand-picked high-quality woodwind-related blog posts from around the web, January 2020 edition.
Do I need a college degree for my instrumental music career plans?
While college study may not be the right choice for every instrumentalist, it’s hard to beat for a well-rounded musical education (with performance study, music theory, music history, and more), plus life skills, networking, and enhanced employability in the general job market.
10 ways to strengthen your embouchure right now!
You don’t need a “strong” embouchure, you need a relaxed embouchure.
Woodwind doubling and saxophone problems
It’s very common for woodwind doublers to be saxophonists first, and approach the other woodwinds later, often because of the demands of flute/clarinet doubling in jazz big band music. So advice for woodwind doublers is often really advice for saxophonists playing secondary instruments. But when players of other woodwind instruments pick up the saxophone, there … Read more
Favorite blog posts, December 2019
Hand-picked high-quality woodwind-related blog posts from around the web, December 2019 edition.
Triplets don’t swing
It’s common among non-jazz musicians to think of “swing” rhythms as having a triplet-like feel, and it’s equally common among jazz players to regard that as hopelessly incorrect. That conflict over swing style has been widely discussed elsewhere, so I won’t rehash it here. But there’s another layer to the swing/triplets issue: It’s important to … Read more