Do I have to practice over the summer?

As I send my students off to their summer plans, I know many of them are asking themselves the same question I used to ask: Do I have to practice?

Your teacher might give you a summer assignment. I feel like I really can’t give my students official, enforceable assignments when they aren’t enrolled in my courses. I could possibly guilt them into summer practicing. Or I could threaten them with high fall-semester expectations.

On the other hand, some of my students need full-time summer jobs so they can afford to continue their education in the fall. Some have responsibilities to their families. Some may genuinely need a little downtime for their mental health. (Any mental health concerns should be discussed with a qualified professional.)

So, do you have to practice over the summer? I guess the answer is no for my students, since they won’t get grades, and since I prefer not to teach by guilt or threats. But it probably isn’t the right question. I think the questions to ask are:

What kind of student and musician do I want to be? If you’re planning on a career in music, or otherwise have your sights set on being the best musician you can be, then maybe you already know how you should spend your “vacation.”

What’s possible in my circumstances? You should move toward your goals each day if you can. But if bill-paying or illness or family life or other high-priority obligations get in the way, that’s not a personal failure. It’s life. It’s not a reason to feel guilty or incapable.

Ask yourself what kind of student and musician you want to be, balance that against what your circumstances will permit, and make your best use of your summer months.

Favorite blog posts, April 2020

Hand-picked high-quality woodwind-related blog posts from around the web, April 2020 edition.

Wind playing and contagious diseases

I’m not a (medical) doctor or disease expert of any kind, but I’ve been thinking a bit about the instruments I play and the risks of catching or spreading disease. (At the time of this writing, Covid-19 is foremost in many people’s minds.) I’m presenting a few thoughts here in hopes that people with real … Read more

Announcing the Note Image Generator

The Note Image Generator, version 0.1, is a tool for quickly generating batches of images of single notes on staves, like this: It might be useful to users of my Fingering Diagram Builder, who want note images to combine with fingering diagram images when making fingering charts, but there are lots of potential uses for … Read more

Fingering Diagram Builder, version 0.81

Here’s a new minor release of the Fingering Diagram Builder with a few small improvements: Bug fixes and minor behavior improvements New bassoon keys: High F (plus offset high E and E-flat), alternate low C, alternate low C-sharp. This should cover everything Fox currently lists as bassoon keywork options. (Thanks to Trent for the feedback.) … Read more

Favorite blog posts, March 2020

Hand-picked high-quality woodwind-related blog posts from around the web, March 2020 edition.

When things get canceled

At the time it seemed like the world was coming to an end. But things worked out. I canceled some things and modified or delayed some others. Some kind prof

Technical limits

If I try to play too softly, sometimes my notes don’t respond as I would like. If I try to play too loudly, sometimes my tone or intonation suffer. I have similar limitations when it comes to things like finger or tongue speed, tone color or pitch flexibility, and more. The way I deal with … Read more

Review: NewMusicShelf Anthology of New Music: Alto Saxophone, Vol. 1

It’s hard to escape the inertia of the “standard repertoire.” NewMusicShelf Anthology of New Music: Alto Saxophone, Vol. 1 is an elegant solution.

Favorite blog posts, February 2020

Hand-picked high-quality woodwind-related blog posts from around the web, February 2020 edition.