Review: Duets for the ‘Double-Reed Doubler’ by Gene Kaplan

A few years ago I reviewed Gene Kaplan’s Duos for Doublers, a set of duets for woodwind doublers playing flute, clarinet, and saxophone. I was pleased to hear from Gene again recently about his new Duets for the ‘Double-Reed Doubler.’ It contains seven duets in a variety of styles, with one doubler playing oboe, clarinet, and alto saxophone, and the other playing clarinet, bassoon, and tenor saxophone. (No flute in either part.)

The books (a set of two, one for each player) are neat and easy to read, with well-placed page turns and spiral binding. Like the Duos for Doublers, this set currently costs $30.

I’m pleased to see more materials making their way into the world that address the growing pressure on woodwind doublers to be skilled double reed players. The idea of “doubling” meaning just flute, clarinet, and saxophone is increasingly a thing of the past. Working on doubling in a chamber music setting, like these duets, is a useful way to improve your skills as a soloist-level player of multiple instruments.

Here’s a demo of one of the duets, called “Machinations:”

I wouldn’t call these duets easy, exactly, but they aren’t overwhelming for doublers with a little background in each instrument. All the instruments stay mostly in their lower and middle registers. The oboe rarely ventures outside the staff, and the bassoon stays squarely in bass-clef range. There are some fast switches (catch me trying to play bassoon with the tenor in my lap in the demo video), some tricky navigation of the clarinet’s throat-to-clarion break, some articulated low notes in the saxophones, and other real but not unusual challenges.

These duets are a fun an interesting challenge if you have a doubler friend to practice with. Head over to Gene’s website to get your copy.

Favorite blog posts, October 2019

Hand-picked high-quality woodwind-related blog posts from around the web, October 2019 edition.

Woodwind doubling and clarinet problems

Here are a few of the common problems woodwind doublers have with the clarinet: Flabby/saggy/tubby/airy tone and flat pitch. This is a dead giveaway for a self-“taught” clarinet doubler. The clarinet’s voicing is quite high, higher than any of the other woodwinds, and beginning clarinetists sometimes struggle for years to make that proper voicing a … Read more

Favorite blog posts, September 2019

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Review: D’Addario Evolution clarinet mouthpieces

D’Addario was kind enough to send me a couple of their new(ish) Reserve Evolution clarinet mouthpieces to try out. The Evolution currently comes in a single opening/facing, but the two Evolution mouthpieces I received are different in appearance: one is the standard black, and the other is what’s called “marble” on D’Addario’s website, or “sandstone … Read more

Recital videos, August 2019

Here are videos from my recent faculty recital at Delta State University. I performed the Saint-Saëns oboe, bassoon, and clarinet sonatas, plus the flute Romance and “The Swan” from The Carnival of the Animals as a baritone saxophone transcription. “The Swan” is originally for cello, so I assumed it might work well as a baritone … Read more

Favorite blog posts, August 2019

Hand-picked high-quality woodwind-related blog posts from around the web, August 2019 edition.

Favorite blog posts, July 2019

Hand-picked high-quality woodwind-related blog posts from around the web, August 2019 edition.

Favorite blog posts, June 2019

Hand-picked high-quality woodwind-related blog posts from around the web, June 2019 edition.

Favorite blog posts, May 2019

Hand-picked high-quality woodwind-related blog posts from around the web, May 2019 edition.