Should I buy something new?

shopping business money pay

Changing your instrument, mouthpiece, headjoint, reeds, etc. on a frequent basis isn’t productive, but sticking with the same equipment forever isn’t a virtue either. Here are some questions to ask yourself (or a trusted teacher or colleague) when you start feeling the itch to spend money on shiny new things:

  • Does this new equipment make it easier or more comfortable to do what I do? Or am I hoping it will magically endow me with abilities I didn’t have before?
  • Does this materially improve some concrete aspect of my playing, like intonation, response, dynamic range or finger movement? Is it an improvement that is more subjective, fleeting, or malleable, like tone quality? (Tone quality isn’t nothing when purchasing woodwind gear, but it’s not everything, either.)
  • Does this really change how I sound? Does it change how it feels to play, physically? Does it change how it feels to play, emotionally? (All of these can be valid reasons to change, but it’s worth sorting out what’s really changing.)
  • Is this new equipment appealing in some way that is more about appearance or cachet than playability? Is that worth the investment to me? Would I be sacrificing some playability for bling factor?
  • How did I come to desire this particular item? Was I influenced by advertising, celebrity endorsements, a commissioned salesperson, an internet stranger, or someone/something else that might have motivations separate from my success? Was I happy with my current setup before I learned of this product’s existence?

If you’re currently a student, be sure to check in with your teacher before any new gear purchase!

Fingering Diagram Builder, version 0.83

Here’s a new minor release of the Fingering Diagram Builder with a few small improvements: Bug fixes, administrative improvements, and other minor tweaks. The Kingma flute diagram now has an option for a left-hand C-sharp-up key (thanks to Carla Rees). Dig around in the Keywork details menu to find it. The Akai EWI diagram now has an … Read more

Favorite blog posts, December 2020

Hand-picked high-quality woodwind-related blog posts from around the web, December 2020 edition.zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

Factors in woodwind instrument response

person holding brown glass bottle

Response is how readily the equipment/player combination produces sound. “Good” response generally means that the player-plus-instrument are able to produce a sound that starts precisely when intended, with clarity and with no unwanted additional noise. Many factors affect the quality and reliability of the response: Instrument condition. An instrument with leaks, cracks, problematic dents, etc. … Read more

Using “borrowed” fingerings in EWI mode

The Akai EWI series’ “EWI” fingering mode is powerful and flexible. It bears a resemblance to basic saxophone fingerings (while wisely eschewing saxophoney compromises like rollers and palm keys). But with a little imagination EWI players can “borrow” a number of useful fingerings from other woodwinds, too.

Favorite blog posts, November 2020

Hand-picked high-quality woodwind-related blog posts from around the web, December 2020 edition.

Do woodwind instruments have similar fingerings?

I get lots of emails and search traffic from people trying to find the answer to questions about woodwinds and “similar” fingerings: Do they use the same or similar fingerings? Which instruments are the most similar? Can I use fingerings from _____ instrument on _____ instrument? I’ve addressed before why these questions might be coming … Read more

Teaching with your ears

We have this conversation often in my woodwind methods classes: Me: What do you hear in so-and-so’s playing?Student: Their embouchure is too tight?Me: Can you hear their embouchure muscles?Student: …?Me: Not directly, right? But what are you hearing that makes you think their embouchure is tight?Student: Well, it looks like it could be kind of … Read more

Interpretation at small and large scales

When I ask my students about their interpretation of a piece of music, their answers are often about shaping phrases. The phrases should have some kind of beginning, middle, and end, often expressed in some kind of dynamic shape, like starting softer, growing to a louder peak, then gradually getting softer again. That isn’t wrong, … Read more

Favorite blog posts, October 2020

Hand-picked high-quality woodwind-related blog posts from around the web, October 2020 edition.