Preparing for a fatiguing performance

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If you are practicing and concerned about fatigue during an upcoming performance, here are some (woodwind-centric) things to consider.

  • Embouchure. The embouchure is a frequent site for fatigue, but it shouldn’t be. Embouchure pain or tiredness in a conventional performance situation is usually a sign of incorrect tone production technique. (Not a matter of needing to “strengthen the muscles” or “build endurance,” neither of which makes sense for a well-formed, properly relaxed embouchure.) Rather than relying on the small, weak muscles of the embouchure, use good…
  • Breath support. The breath support muscles in your torso can (and do) work all day. If you are feeling fatigue in your embouchure or other small muscles, lean on your breath support more.
  • Breathing plan. Another frequent cause of fatigue is oxygen deprivation. Reconsider your breathing plan (you have one, right?) and make sure you are getting enough oxygen to your body and brain (and venting carbon dioxide, too).
  • Practice. Ask yourself how you can practice in a way that will leave you less tired and prepare you for a performance situation. Consider starting your practice with breaks frequent and long enough to let your body and mind rest, and gradually making them shorter and less frequent. When I’m preparing for a recital, I usually do a few rounds of recording the whole program: the first recording might take me half a day with longer breaks, but later recordings happen within a shortening time frame, approaching my intended recital length.
  • Equipment. I had some pain and fatigue in my back a number of years ago when I was practicing a lot of tenor saxophone. I bought a new neckstrap and the problem went away immediately. There are lots of products and alterations available for various instruments that can reduce strain on your body.
  • General health. Playing a musical instrument is serious physical activity. Make sure you are getting good rest, nutrition, exercise, life balance, physical and/or mental health care, and whatever else will keep you energized.

Favorite blog posts, July 2021

Hand-picked high-quality woodwind-related blog posts from around the web, July 2021 edition.

Voicing for multiphonics

One of my favorite tips for producing woodwind multiphonics comes from J. Michael Leonard’s Extended Technique for the Saxophone. (Mine is an older edition, I think.) The book’s section on multiphonics gives two pages of instruction and and a one-page fingering chart with diagrams like this: The “aha” moment I got from this was the … Read more

When there’s no place to breathe

When you’re working on a new piece and there’s no place to breathe: Re-examine. Are you sure there’s no place? Tonal wind-instrument music usually has phrases. To find them might take some careful analysis, or maybe listening to a recording to check out someone else’s solutions. Once you know where the phrases end, you may … Read more

Favorite blog posts, June 2021

Hand-picked high-quality woodwind-related blog posts from around the web, June 2021 edition.

Woodwind Doubler Census 2021 results, part 5 (final): self-identification

Thanks to all who participated in my 2021 woodwind doubling survey, and to those who helped spread the word. I’ve released the results in installments, so be sure to check out the rest. I got 284 responses, an improvement over 2011’s 187. The numbers for each of these questions don’t necessarily add up to exactly … Read more

Woodwind Doubler Census 2021 results, part 4: gigs

Thanks to all who participated in my 2021 woodwind doubling survey, and to those who helped spread the word. I’m releasing the results in installments, so be sure to use my social media links, RSS feeds, etc. to keep up. I got 284 responses, an improvement over 2011’s 187. The numbers for each of these … Read more

Woodwind Doubler Census 2021 results, part 3: training/education

Thanks to all who participated in my 2021 woodwind doubling survey, and to those who helped spread the word. I’m releasing the results in installments, so be sure to use my social media links, RSS feeds, etc. to keep up. I got 284 responses, an improvement over 2011’s 187. The numbers for each of these … Read more

Woodwind Doubler Census 2021 results, part 2: doubling abilities

Thanks to all who participated in my 2021 woodwind doubling survey, and to those who helped spread the word. I’m releasing the results in installments, so be sure to use my social media links, RSS feeds, etc. to keep up. I got 284 responses, an improvement over 2011’s 187. The numbers for each of these … Read more

Woodwind Doubler Census 2021 results, part 1: demographics

Thanks to all who participated in my 2021 woodwind doubling survey, and to those who helped spread the word. I’m releasing the results in installments, so be sure to use my social media links, RSS feeds, etc. to keep up. I got 284 responses, an improvement over 2011’s 187. The numbers for each of these … Read more