When things get canceled

I had a very busy final semester of my bachelor’s degree. I was performing with six different university ensembles (one of which was planning a month-long international summer tour), doing woodwind doubling for a musical, teaching at a nearby music school, and preparing for graduate school auditions.

Then I broke my arm. I slipped on something in a parking lot and landed on my elbow. The doctor put me in a cast from fingertips to shoulder.

At the time it seemed like the world was coming to an end. But things worked out. I canceled some things and modified or delayed some others. Some kind professors gave me advice and perspective and helped out with some logistics.

Looking back, it’s barely a bump in the road to where I am now. But I think of it now and then, when the next gig or recital starts to feel like the most important thing I will ever do.

For my college students, lots of things have been canceled this semester. Some of them won’t get to do their recital class performances or their Honors Recital auditions or their ensemble concerts.

It’s a shame to miss out on things. But right now there are bigger things going on in the world that demand some changes of plan. And in another year or two, those missed opportunities will be crowded out by all the new ones. A few missed performances will be a war story, not a lasting tragedy.

(That said, we shouldn’t forget that some musicians’ livelihoods are threatened by things like shutdowns of venues. Now is an excellent time to buy your favorites’ albums and merch to enjoy at home.)

Stay well, and look forward to the opportunities to come.

Technical limits

If I try to play too softly, sometimes my notes don’t respond as I would like. If I try to play too loudly, sometimes my tone or intonation suffer. I have similar limitations when it comes to things like finger or tongue speed, tone color or pitch flexibility, and more. The way I deal with … Read more

Review: NewMusicShelf Anthology of New Music: Alto Saxophone, Vol. 1

It’s hard to escape the inertia of the “standard repertoire.” NewMusicShelf Anthology of New Music: Alto Saxophone, Vol. 1 is an elegant solution.

Favorite blog posts, February 2020

Hand-picked high-quality woodwind-related blog posts from around the web, February 2020 edition.

Updated: Music for woodwind doublers

As of February 2020, I’ve made some substantial updates to my catalog of music written for players of multiple woodwind instruments: Music for woodwind doublers There are a few pieces I have listed as currently being researched, mostly cases where I am awaiting responses from composers. And I now have a special section for pieces … Read more

Playing professional whole notes

I have spent many hours of my life absorbed in difficult études and repertoire. Challenging music pushes the limits of my abilities. But when I actually get hired to play music, it’s almost never anything that complicated. Many of my workaday gigs are very easy—on paper. One part of my career is playing with a … Read more

Working less hard

On some level it feels more like teaching if I can tell a student a new thing to do. Assign them an additional task. But the most productive and valuable lessons (or personal practice sessions) are often the ones when I can convince a student (or myself) to do one fewer thing.

Favorite blog posts, January 2020

Hand-picked high-quality woodwind-related blog posts from around the web, January 2020 edition.

Do I need a college degree for my instrumental music career plans?

While college study may not be the right choice for every instrumentalist, it’s hard to beat for a well-rounded musical education (with performance study, music theory, music history, and more), plus life skills, networking, and enhanced employability in the general job market.

10 ways to strengthen your embouchure right now!

You don’t need a “strong” embouchure, you need a relaxed embouchure.