Here are some high-quality woodwind-related blog posts from May, in no particular order.
- Mark Catoe and Tim Gordon discuss music education, careers, and, of course, woodwind doubling: Interview with Tim Gordon
- Flutist Meerenai Shim opens up about success, failure, pursuing your dream, and dealing with the practicalities: To Each Her Own
- Jennet Ingle is always one of my favorites. I already responded to her post on sound quality and individuality, but I also liked this one about the realities of freelancing: A Freelance Week
- David Erato learns a difficult lesson about swabs, and offers to let others learn from his experience: Don’t do this. Ever.
- Helen Kahlke patrols the internet for weird saxophone stuff, and discovers this interesting approach to the octave vent problem: Frankensax’s Offspring Gets Its Patent
- Saxophonist Shannon Kennedy deals with a hazard of being a musician in the internet age: There’s Honest and Then There’s Hurtful
- Christa Garvey suggests listening to more music, and provides a nice jumping-off point for developing your oboe ears: Living a life WITH music—a guide to listening for the aspiring oboist
- Flutist Jolene Harju has an epiphany about making her best sound in a natural, easy way: Open Sound: Why I Love Middle C!
- John Bogenschutz of Tone Deaf Comics apparently buys his bassoons from Ikea: “Bundlövstx”
Enjoy! If you have some favorites that I missed, please share them in the comments section below.



Barrick Stees is the assistant principal bassoonist in the Cleveland Orchestra, and a professor at the Cleveland Institute of Music and the University of Akron. His blog is fairly new (started earlier this year) but is already full of good stuff. Professor Stees shares some insights on playing excerpts at a level suitable to one of the great American orchestras: