Some of the best woodwind-related stuff I’ve read this month:
- Clarinet professor Adam Ballif shares some thoughts on going paperless as a musician, and takes an easily-digestible look at voicing and the clarinet.
- Flutist Catherine LeGrand gets super-methodical about interval practice and note shapes.
- Oboist Patty Mitchell attends the IDRS conference and provides a sneak peek into pedagogical sessions with Peter Cooper, Carolyn Hove, and David Weiss (and friends). Jealous.
- Bassoonist Cayla Bellamy tries playing like a superhero.
- Rigid saxophone harnesses seem to be popping up from several makers lately. Barry Caudill tries one on for size. (Inclusion here isn’t an endorsement of this particular model; I’m just glad to see a nice thoughtful review of this type of product. I would like to see Vandoren sending some of theirs out for review—hint, hint?)
- Woodwind doubler Steve Moffett passes along a good clear approach to determining how far in or out to roll the flute.
- Saxophonist Ben Britton clarifies a few things about reed strength.
Enjoy! If you or one of your favorite woodwind bloggers writes something especially awesome in July, drop me a note and I’ll give it a look for next month’s list.



Barrick Stees is the assistant principal bassoonist in the Cleveland Orchestra, and a professor at the Cleveland Institute of Music and the University of Akron. His blog is fairly new (started earlier this year) but is already full of good stuff. Professor Stees shares some insights on playing excerpts at a level suitable to one of the great American orchestras: