- Patty Mitchell shares insights on oboe finger placement.
- Betsy Sturdevant gives a behind-the-scenes look at playing principal bassoon on Tchaikovsky’s 5th symphony and Brahms’s 1st piano concerto.
- Sam Sadigursky explains why saxophonists should play the flute. (I would add to his list of reasons that the flute is a lovely instrument and playing it is a rewarding pursuit on its own merits.)
- Jennifer Cluff gives good down-to-earth advice for beginning flutists.
- The new The Clarinet: Online blog, the digital companion to the International Clarinet Association’s print journal, did some coverage of this year’s ClarinetFest® in Madrid, Spain. Here is day one.
- Christopher Jones shares detailed information about clarinet left hand position.
- The Adventures in Woodwindland blog examines the old question about “how many” instruments doublers play [update: link dead]. (Here’s my take from the early days of this blog.)
Woodwinds: Woodwind doubling
Woodwind doubling and flute problems
Many doublers start out as clarinetists or saxophonists, and many doublers would say that the flute is particularly challenging as a double. These phenomena are related. Let’s look at some of the issues woodwind doublers have with the flute. I’ll offer a sort of glib, inadequate tip or two for each situation, but the real … Read more
Interview: Sal Lozano, saxophone and woodwind artist
Lately I have been enjoying Sal Lozano‘s recent CD, Everything’s Gonna Be Great (available from CD Baby and iTunes). The album is 13 charts by Tom Kubis for 5-piece saxophone section with rhythm section, and Sal plays all five of the saxophone parts. It’s a lot of fun, Sal sounds great, and there’s an all-star … Read more
University of New Mexico offers new multiple woodwinds degree
The University of New Mexico is now offering a masters degree program in multiple woodwinds. A few items of interest from the degree requirements (also see an update in the comments): It is a 4-instrument degree, with one “primary” and three “secondary” instruments. Two semesters of study are required on the primary instrument, and one … Read more
Woodwind t-shirts now available
I won’t make a habit of posting advertisements here, but I wanted to make you all aware of a new way you can support what I do here at bretpimentel.com while also increasing your own cool factor. Behold the woodwind doubler t-shirt: It’s a nice quality American Apparel tee available in a variety of attractive … Read more
Videos: Piazzolla Tango Etudes for multiple woodwinds
Here are some videos from a guest recital I did at the University of Tennessee at Martin a few weeks ago. Among other things, I played Ástor Piazzolla’s Tango Etudes, originally for solo flute, in my own arrangement for multiple woodwinds soloist.
ClarinetFest 2014 presentation: The 21st-century woodwind doubler
I gave a presentation at the International Clarinet Association conference (“ClarinetFest”) last week on woodwind doubling, with a particular focus on the rising expectations on woodwind doublers to play more instruments at a higher level (including “world” and even electronic woodwinds). Here is the blurb from the program: The typical working woodwind doubler in the … Read more
Favorite blog posts, July 2014
Hand-picked high-quality woodwind-related blog posts from around the web, July 2014 edition.
Woodwind doubling and the “main” instrument
I identify very much as a woodwind player: as far as I’m concerned, if it’s a woodwind, it’s part of what I do. But when I introduce myself to someone that way, I am frequently asked, “But which one is your main instrument?”
Dissertation: Woodwind doubling on folk, ethnic, and period instruments in film and theater music
My doctoral dissertation is now available online through the University of Georgia library, entitled Woodwind doubling on folk, ethnic, and period instruments in film and theater music: Case studies and a practical manual.