Just one post to share this month:
- earspasm – read. (Michael Lowenstern, bass clarinet): Steve Williamson Can Play a 5. You Can’t.
Saxophone, flute, oboe, clarinet, bassoon, and world and electronic woodwinds
Just one post to share this month:
Hand-picked high-quality woodwind-related blog posts from around the web, July 2025 edition.
Hand-picked high-quality woodwind-related blog posts from around the web, October 2024 edition.
I’m pleased to share videos from my recent Delta State University faculty recital.
I’ve been having fun with woodwinds enhanced with pickups or microphones. (If you’re interested in natively-electronic instruments like wind controllers, I’ve written about those elsewhere.) I still have a lot to learn about working with electronics. But here are a few observations in case anyone finds them helpful. Which instrument(s) to use? I find lower-pitched … Read more
Switching between any two instruments, even two closely-related ones, is a challenging prospect. You must practice for many hours to do it well. But often people switching between clarinets (such as between B-flat clarinet and bass clarinet) are making larger changes than necessary. The fundamental concepts in clarinet tone production are breath support, voicing, and … Read more
Hand-picked high-quality woodwind-related blog posts from around the web, December 2022 edition.
Hand-picked high-quality woodwind-related blog posts from around the web, August 2022 edition.
I’m pleased to share videos from my recent Delta State University faculty recital. I performed for a reduced in-person audience due to COVID-19 precautions. All the repertoire involves electronics of some kind: prerecorded tracks, a looper, an actual electronic instrument (the Akai EWI), and/or live signal processing. This was my first time doing something so electronics-intensive, and … Read more
I’m pleased to share videos from my recent Delta State University faculty recital. I performed for a very small in-person audience due to COVID-19 precautions. All the repertoire is unaccompanied. The program begins with multiple-woodwinds repertoire by Samuel Adler, Kyle Tieman-Strauss, and Nicole Chamberlain (a world premiere of a commissioned piece), followed by some odds … Read more