If you are an alto saxophone player and pick up a tenor or baritone for the first time, it’s pretty common to have a thin, weak tone, to be on the sharp side, to struggle with low note response, and to have issues like the top-of-the-staff G and G-sharp squeaking.
If you are a tenor player having your first alto experience, or an alto or tenor player newly picking up soprano, you might find that your tone is tubby, your pitch unstable and tending toward flatness, and your palm key notes unreliable.
There are a couple of key things to check as you make the switch from one saxophone to another:
- How much mouthpiece you are taking in. I like this trick as a starting point for finding the correct position: gently insert a piece of paper between the mouthpiece and reed. The point where the paper stops is approximately the place where your lip should contact the reed.
- Voicing. The best way to check this on saxophones is by playing a note on the mouthpiece alone. These are the concert pitches you should produce: If you aren’t producing these pitches, adjust by blowing warmer air to lower the pitch, or cooler air to raise it. Don’t adjust by biting or by shifting the mouthpiece in your embouchure. (It takes some practice.)
Getting mouthpiece position and voicing right for each saxophone helps you achieve good tone, pitch, and response no matter which you are playing. If you are actively playing multiple saxophones, check both of these things on each instrument as part of your daily warmup, and then follow up with overtone exercises and full-range scales and arpeggios. On a gig, I find it helpful to be conscious of mouthpiece position and voicing as I put one saxophone down and pick up another.
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