Hi, come on in, you’re right on time for your lesson.

I have lots on things on my list for you today: we should double-check your rhythms on that etude, review those melodic minor scales that were giving you trouble last week, and discuss some finer points of vibrato.

But something about your sunken eyes when I met you at the door, the way you slouched into the room, the slept-in fashion statement, says that today you are Struggling. Not because you are lazy or undedicated. But because college life is fraught with deadlines for research papers and rent payments, and scheduled to the brim with marching band rehearsals and late shifts waiting tables, and fueled by store-brand Pop Tarts and never enough sleep.

And because of the heavy secrets that you carry. A friend spiraling into addiction. A boyfriend or girlfriend who tells you you’re not enough. A medical worry that you can’t afford to acknowledge. Sexual assault. Depression.

We can try to fight through your repertoire piece, but today Saint-Saëns isn’t breaking the top twenty things on your mind.

And while sometimes the biggest obstacle between you and your senior recital is sluggish articulation, sometimes it’s crippling anxiety about something else. And my calling is to get you from here to that recital, whatever is standing in the way. 

So for now let’s put off talking about how many practice hours you have logged. Instead I want to know whether you have eaten anything in the last 24 hours. How much you slept last night, and the night before. Whether you have gotten any sunshine this week. Sometimes, I think, the best thing I can do to improve your playing isn’t to harangue you about intonation, but to offer you a protein bar from my desk drawer, send you home for a nap before you have to clock in at the restaurant, or make you walk a few laps around the quad and take some breaths of fresh air.

Or sometimes to ask how you’re doing, ignore the reflexive “fine,” and wait for the real answer to come tumbling out.

I’m no therapist. And I’m not your parent or your doctor or a social worker. I might not always be the right person for you to talk to—luckily you have friends, family, clergy who are also ready to listen. And there’s the campus counseling center, for when you need to talk to someone who isn’t invested in your life, or someone who can offer a professional opinion when medications or other therapies are needed. But if I seem like the right person to open up to, then I want you to feel safe and unjudged doing it.

One thing, though: mentioning suicidal thoughts, even in passing, is a showstopper. Before we move on, I need you to tell me, emphatically, that you’re not in danger of harming yourself. If you can’t convince me, then I’m going to use this circa-1982 office phone to call one of the counseling staff for some help.

Your musical pursuits are important, but not more important than your life and health and happiness. So let’s make sure the real problems are at a manageable level first, and then I’ll resume hassling you about tension in your embouchure.

See you next week. Hang in there!

Thanks for reading! You’re awesome. If you found this post helpful, let me know with a donation or an email.

Favorite blog posts, September 2018

Hand-picked high-quality woodwind-related blog posts from around the web, September 2018 edition.

Recital videos, August 2018

Here are some videos from my recent Delta State University faculty recital. I enjoyed tackling Brett Wery’s challenging Sonata for multiple woodwinds (flute, clarinet, alto saxophone) and piano, plus some little oboe pieces and the André Previn bassoon sonata. As always, the goal was to challenge myself, so, as always, the performance had some hiccups. But … Read more

Recording: Claude T. Smith Suite with Delta State Wind Ensemble

A few months ago I got to perform Claude T. Smith’s Suite for Solo Flute, Clarinet, and Alto Saxophone with the Delta State University Wind Ensemble, conducted by Dr. Erik Richards. It’s a fun showpiece for a woodwind doubler with band, which I’ve had a few opportunities to perform over the last 10 years. The … Read more

Music practice and technical debt

In a perfect world I would always tackle an issue head-on. In reality sometimes a looming performance means plastering over the problem and promising myself I’ll fix it later, at a greater price.

Favorite blog posts, August 2018

Hand-picked high-quality woodwind-related blog posts from around the web, August 2018 edition.

The bassoon’s special(?) staccato

I have a vague memory from childhood, well before my bassoon-playing days, of learning that the bassoon had some special quality to its staccato notes. (From an educational tv show? a children’s book on musical instruments? I can’t recall.) My impression was that this sound was different in some way than staccato produced on other … Read more

Frequently-asked questions about woodwind doubling, and their unpopular answers

Q. Should I be a woodwind doubler? A. In most cases, no. If you already feel driven to do it, and have the time and resources to devote to it, then maybe. Q. What’s the trick to getting in enough practice time on all these instruments? A. Figure out what to de-prioritize in your life … Read more

Buying more instruments, or making do with what you have

I get asked every so often whether it’s a good idea for a woodwind doubler to try to have a fairly “complete” set of instruments, or whether it’s better to make do with a few and make substitutions as needed. For example, do you need a B-flat clarinet and an A clarinet, or can you just transpose? … Read more