Here are some videos from my recent Delta State University faculty recital. I enjoyed tackling Brett Wery’s challenging Sonata for multiple woodwinds (flute, clarinet, alto saxophone) and piano, plus some little oboe pieces and the André Previn bassoon sonata. As always, the goal was to challenge myself, so, as always, the performance had some hiccups. But it was a valuable growth experience for me and a chance to perform some new repertoire.
Here I am at the far left saying something brilliant and witty. Tereasa Payne, Shelley Collins, David Weiss, and Jim Walker look on in wonder and delight.
At this year’s NFA conference, I had the very cool opportunity to be part of a discussion panel about woodwind doubling. The panel was organized by Florida flutist and doubler Tereasa Payne, and moderated by my Delta State colleague Shelley Collins. The panel consisted of me, Tereasa, Hollywood studio great Jim Walker, and David Weiss, who is the ethnic flutes soloist for Broadway’s The Lion King. It was an honor to be included in a group of such stature!
We spoke to a surprisingly large and enthusiastic crowd. At one point Shelley asked for a show of hands by the doublers in the audience, and we were blown away by all the hands that shot up. The audience asked great questions, and many stayed afterward to talk some more. I was delighted to meet several of you personally who read this blog or who have communicated with me by email or on Twitter.
In advance of the panel, Tereasa had prepared some questions for the panelists to think over. I took some notes to organize my thoughts, and I’m providing them here in an edited version. This isn’t a transcript of the live panel, but it should give you an idea of what was talked about, and of my thoughts about some of those topics. Read More “NFA 2011: Woodwind doublers roundtable discussion”
The Random Note Picker web app got a facelift and a few new features. I use this mostly for quizzing my students on their scales.
Two features added by popular request: a timer function, so you can generate new groups of random notes every few seconds hands-free, and (optional) double-flats/double-sharps.
Check it out, and send me your bug reports, feature requests, or other thoughts and comments.
Today makes ten years since I started the blog. At the five-year mark I did a little retrospective, and I don’t think there’s much need to do it again. Basically the things I was excited about and proud of then are the things I’m excited about and proud of now. Other than publishing my book, which grew largely out of this blog, it has mostly been more of the same: another 250 or so posts, another few hundred musicals added to the doubling list, new and updated web tools and resources for musicians, and of course lots of comments, emails, donations, and other happy connections with woodwind players around the world. I hope you will continue to read, engage, and of course make music.
A few weeks ago I put out a request for questions from my readers. I got some good ones, and here are some answers:
I am pleased to announce that this fall I will be joining the faculty of the Delta State University Department of Music. DSU is located in Cleveland, Mississippi, in the beautiful and historic Mississippi Delta region.
I had the privilege of visiting the DSU campus last month, and fell in love with the charming campus, the outstanding music faculty, the state-of-the-art performance and recording facilities, and, of course, the bright and friendly students, for whom I got to present a performance and masterclass.
I’m looking forward to getting started at Delta State, where I will teach all of the reed instruments (oboe, clarinet, bassoon, and saxophone), woodwind methods, and other music courses. Classes start August 17th! Read More “Go Fightin’ Okra”
Great playing, Bret!
The Previn-sonata was a real discovery for me.
I’m curious, what you’ll perform next year! The Hindemith sonatas for woodwinds …..?