Do I need a college degree for my instrumental music career plans?

  • Classical or jazz solo artist, chamber/orchestral/theater musician, jazz big band or small group musician, studio musician. None of these “require” a college degree, just very fine playing. But these are lofty goals for making your primary living—very few people, even among the most talented and hardworking, are able to achieve them. But college study can help you develop the skills, the discipline, and the professional network that might get you there. And a college degree that you can fall back on for other employment might be a smart move.
  • Musician in “popular” styles (such as rock, blues, hip-hop, country, and many more). Even if you wish to study these in college, there currently aren’t a lot of options. But some classical or jazz training in a band or orchestral instrument, widely available at universities, will deepen and expand your musical understanding in general, and sometimes present valuable opportunities.
  • Public school music teacher. Yes: in most cases you will need a bachelor’s degree in music education.
  • University music teacher. Yes: in most cases you will need a doctoral degree in something related fairly precisely to the job you are applying for. (Some job listings list a masters degree as a minimum, but even for an adjunct or community-college position, you may well be applying against candidates with doctorates.)
  • Private music teacher, from home or small business. You probably won’t need the degree in order to set up shop, but depending on your local market and your reputation it may be an advantage in attracting students and giving them quality instruction.

While college study may not be the right choice for every instrumentalist, it’s hard to beat for a well-rounded musical education (with performance study, music theory, music history, and more), plus life skills, networking, and enhanced employability in the general job market.

Woodwind doubling and saxophone problems

It’s very common for woodwind doublers to be saxophonists first, and approach the other woodwinds later, often because of the demands of flute/clarinet doubling in jazz big band music. So advice for woodwind doublers is often really advice for saxophonists playing secondary instruments. But when players of other woodwind instruments pick up the saxophone, there … Read more

Favorite blog posts, December 2019

Hand-picked high-quality woodwind-related blog posts from around the web, December 2019 edition.

Triplets don’t swing

It’s common among non-jazz musicians to think of “swing” rhythms as having a triplet-like feel, and it’s equally common among jazz players to regard that as hopelessly incorrect. That conflict over swing style has been widely discussed elsewhere, so I won’t rehash it here. But there’s another layer to the swing/triplets issue: It’s important to … Read more

The right clarinet or saxophone reed strength “for you”

How do you pick the clarinet or saxophone reed that is the right strength “for you?” You mostly don’t, really. It’s important that the reed be a good match to the mouthpiece. In most cases the primary consideration is the mouthpiece’s facing curve and resultant tip opening. Generally, a shorter curve and/or wider opening require … Read more

Favorite blog posts, November 2019

Hand-picked high-quality woodwind-related blog posts from around the web, November 2019 edition.

Review: Duets for the ‘Double-Reed Doubler’ by Gene Kaplan

A few years ago I reviewed Gene Kaplan’s Duos for Doublers, a set of duets for woodwind doublers playing flute, clarinet, and saxophone. I was pleased to hear from Gene again recently about his new Duets for the ‘Double-Reed Doubler.’ It contains seven duets in a variety of styles, with one doubler playing oboe, clarinet, … Read more

Sharp, flat, and natural symbols on Android and iOS devices

There are lots of ways to handle music symbols like sharps (♯), flats (♭), and naturals (♮) on iPhone/iPad and Android devices: Not recommended: Use a pound/hash/number sign for sharp, and a lower-case b for flat. It’s ugly and unprofessional, and in some cases unclear, plus there’s not an obvious solution for natural. Spell it … Read more

MS Word music hack: Automatic sharps, flats, and naturals (Updated 2019)

Ten years ago in 2009 I wrote a blog post about how to set up auto-complete sharp, flat, and natural symbols in Microsoft Word 2007 running on Windows Vista. Here’s an update for Word 2016 on Windows 10. Thanks to Ariel Detwiler for calling my attention to the need for an update. How it will … Read more