Repair or buy new?

Should you have your old (woodwind) instrument repaired, or put the money toward a new one? Here are a few things to consider.

First, you should understand the difference between having “playing condition” repairs done and having a full overhaul done. The overhaul is an expensive service, often costing a significant percentage of what you would spend on a new professional instrument. A good overhaul will make your instrument play like brand new, or better. It generally includes any necessary repairs to the instrument’s body, straightening/realigning/refitting of keywork and tenons, replacement of all or most pads/corks/felts/springs, and thorough cleaning and lubrication. The overhaul makes sense about every 5-10 years for a well-made, professional quality instrument that you love and intend to play long-term. It’s generally not worth the money for a student-quality or so-called “intermediate” instrument.

photo, Keith Jenkins
photo, Keith Jenkins

Playing condition repairs are cheaper, à la carte services to get the instrument back into a baseline playable state, maybe replacing a few pads or corks as needed, or fixing anything that is broken enough to make the instrument unplayable. If you are low on cash, a good repair shop can help you prioritize what needs to be done within your budget. Even if you are playing your dream instrument and getting it overhauled on a regular schedule, playing condition maintenance is usually needed on at least an annual basis to keep things working well.

If your instrument is of less-than-professional caliber, or if you want qualities that your current instrument does not possess, you may be better served by having playing-condition work done for now, and saving toward a new instrument. Bear in mind that “professional” is a term applied by makers and retailers to sell instruments; if you’re not sure, it wouldn’t hurt to check in with a real professional (such as your private teacher) to see if what you are playing on is really suited to professional use.

If you are playing on an older professional model, you might want to explore the improvements made to more recent instruments, especially with regard to ergonomics, intonation, and evenness of tone. (Some musicians make these comparisons and decide to stick with what they’ve got, and that’s okay, too.)

A high-quality, well-maintained instrument makes playing easy and a pleasure, and the instrument’s career might even outlast yours.

Thoughts on musicians’ websites

I first set up a personal website in about 2000 or 2001. There wasn’t much reason for me to do so—I was a college undergraduate, with virtually no worthwhile content to share. But it was a start, and fifteen or sixteen years later I have a few hundred blog posts and some other resources, plus a … Read more

Favorite blog posts, February 2016

Hand-picked high-quality woodwind-related blog posts from around the web, February 2016 edition.

Trevor Wye’s “Flexibility I” flute exercise

One of my favorite flute warmups is “Flexibility–I (after Sousseman)” from Trevor Wye’s Tone book. This exercise is value-packed and meticulously thought out, and leads inevitably to some fundamental truths about flute playing.

Beginners, parents, and making double reeds

If you are a parent or band director of a young oboist or bassoonist, here is what you need to know about reedmaking.

Practice slump checklist

Sometimes my students complain that they have had bad practicing days or weeks. Here are a few ideas for breaking out of a practicing slump.

Favorite blog posts, January 2016

Hand-picked high-quality woodwind-related blog posts from around the web, January 2016 edition.

Creating fingering charts with diagrams from the Fingering Diagram Builder

Here are a few examples of how to create fingering charts with diagrams from the Fingering Diagram Builder, using music notation software, using a word processor, and using a text editor to create HTML code (such as for a website).

Endurance and breath support

Physical endurance can be an issue for woodwind players, most often manifesting as fatigue in the muscles of the embouchure. But in most cases I think tired facial muscles are a symptom of a more fundamental problem.

Practicing and the two-minute rule

David Allen’s well-known book Getting Things Done is always within arm’s reach at my desk. I find its concepts and techniques valuable for managing my time and productivity. I don’t consciously use a lot of “GTD” ideas in my practicing, since practicing seems to me like a thing that is never “done.” (If any of you are … Read more