The wallpaper effect

white capsules on yellow background

Sometimes I see “challenges” similar to this posted on social media sites: can you find the letter J in the image below?

Of course you can. It’s not at all difficult. (But if someone online can convince you that it is, and that you’re one of the “special” few who can do it, then maybe you will “share” or “like” or whatever.)

Human brains are highly attuned to patterns. I’m not a brain scientist, but I suspect that’s why we like nice steady tempos so much. Dance music (from the Western Classical tradition to Country and Western to EDM) tends to have rock-solid pulses that make us want to move our bodies. Unsteady or inconsistent tempos? Not so much.

Have you ever been in a room with badly-hung wallpaper? A little gap or crookedness is immediately noticeable, and annoying.

In musical performance, little inconsistencies in patterns can be similarly distracting. Whether it’s a bebop tune or a baroque sonata, a tempo that varies when it shouldn’t is bad news. So is an unsteady trill, an uneven run, or off-kilter vibrato. An imperfection in the pattern breaks the spell.

While most kinds of music do place value on organic, human, dynamic elements, those need to be balanced against consistent, steady technique. For most of us, that means some long hours with the metronome, training our bodies to move predictably and unerringly.

To help your performance feel good, and get your audience tapping their feet, make sure the wallpaper is hung with care and precision.

Jazz education and the “ya gotta listen” cop-out

brass drums

It’s an article of faith among jazz musicians and educators that listening to jazz is crucial to learning to play jazz. This seems obviously true to me about jazz and about any style of music. (Doubtless one of the reasons the jazz-initiated like to bang this drum, so to speak, is because most of Western … Read more

Jazz and classical musicians’ concerns about jazz playing

man playing saxophone

Recently I asked some questions on social media related to (self-identified) non-jazz musicians playing on jazz or jazz-adjacent gigs. This kind of thing might happen, for example, at a symphony pops concert, or a big band gig in a smaller market. A number of concerns were raised about this, but two stood out. Self-described non-jazz … Read more

Music guilt

person in black shirt playing brass colored saxophone

In my professional capacity as a musician and music educator, I frequently have to lay down the law with my students or with myself about not practicing enough. The sense that I’m never quite good enough, and that it’s my own fault for not working harder, is a real professional hazard. But when I meet … Read more

Pitfalls of giving musical instruments as gifts

gift box decorated with ribbon bow for present

Giving someone a musical instrument as a surprise is a generous and thoughtful idea. But getting it right can be tricky. Here are some things to consider: For serious musicians, like a student studying with a private teacher, a college music major, or someone who does any kind of (semi-)professional playing, an instrument is a … Read more

What is my old instrument worth?

close up shot of a flute

If you have an old musical instrument and are wondering about its value, here are a few things to keep in mind: Prepare yourself for the very strong possibility that it has little or no monetary value. The vast majority of musical instruments don’t increase in value over time. For most instruments there’s not a … Read more

Preparing a focused mind

binocular country lane filter focus

I find that in performance my mind isn’t always focused on what I would like. I’m easily distracted by conditions in the performance space, audience reactions, or, especially, the ways that my playing isn’t everything I would like it to be. When I get distracted, and especially when it turns into negative self-talk, it’s easy … Read more

How to convince me not to play your newly-composed piece

person writing on the sheet music

My inbox runneth over with invitations to buy and perform composers’ new pieces. I’d like to play new works, but some composers make it harder for me to accept their invitations. Here’s how: Failure of fit. If I’m clearly just on your email-blast list of 3,000 clarinetists, there’s a fair chance your new piece doesn’t … Read more

How to behave at your first classical music concert, and why it’s so weird

woman playing violin in front of people

I hope you enjoy your first classical music performance! Sometimes the etiquette can seem a little foreign. I’ll try to help you understand what to do, and why classical music fans do things that way. The most important thing is not to distract the audience and the performers. Some common concert etiquette “rules” include: Be … Read more

Becoming a professional musician

person holding white paper

Sometimes when my students get paying engagements for the first time, I joke with them that they are now “professional” musicians. That’s true in a sense, but I think there’s more that goes into being a true professional. If you are a college student aspiring to be a professional musician, here are some things you … Read more