Mindset shifts for college music majors

a woman playing clarinet

Here are some mindsets that I find can hold college music majors back from reaching their potential—or can launch them to the next level.

From “This is how I was taught” to “I’m here to explore new ideas.

I can’t tell you how many times I’ve suggested a better fingering option to a student who resists because they already know a different fingering and would rather not have to remember a new one. But my most successful students are curious to learn new things and try them out. Someday you’ll have the option to choose your own path, but you’ll do so from a place of experience, not habit.

From “I have to practice for hours” to What can I get done in ten minutes?

Mastery takes time, but the quality of that time is what really gets results. I’ve had students suffer alone in practice rooms all week with nothing to show for it. But if they can set a few small goals and spend a few minutes pursuing each of them in a focused way, by their next lesson they have measurable progress, the confidence to show it off, and a grade that reflects it.

From “I’m never going to use this” to “I’m building a versatile skill set.”

My students often have very clear ideas about what they will and won’t be doing in their careers. But working in music and/or education can mean wearing a lot of different hats, and broad knowledge and experience can have surprising advantages.

From “My teacher my is judge and executioner” to “My teacher is on this journey with me.”

Rather than playing your assignment for your teacher and nervously waiting for a verdict, let your teacher be a guide and consultant. Be ready to outline and demonstrate your successes and frustrations from the week, and ask for help and advice on what’s holding you back. It’s not you versus your teacher—it’s the two of you versus the technical and musical challenges.

From “I don’t play well enough to perform in front of others” to I have something to share.”

My students perform frequently for other music majors, for faculty, and for public audiences. It’s pretty normal to feel inadequate to the task or to feel outclassed by others. But our audiences, even when they are our peers or teachers, want us to succeed. If you see your performance as a gift rather than a test, you never know who you might impress, inspire, or uplift.

Which of these mindset shifts feels the most uncomfortable to you? Often the one that scares us the most is the one that offers the biggest breakthrough. Let’s do this!

What college professors don’t know about their music department colleagues

hands playing the golden saxophone

I’m a music professor, and I find there are sometimes disconnects between the music faculty and the faculty in other departments. Of course not every institution is the same, and even areas of concentration within music can have differing roles and expectations, but here’s what sometimes surprises my non-music colleagues about my particular job: Check … Read more

What to expect in your first semester studying music in college

books file on shelf

Jumping in the deep end. In some college majors, you will spend your first couple of years doing “general education” courses (like writing, math, history, and science), and not take many “major” classes until later on. But with music, you usually start on day one with a lot of music classes. A thorough and varied … Read more

How to have a good lesson

musical notes

I’ve taught lots of woodwind lessons, from beginner to college level. Here are some things that I look for in a good, successful lesson: Has the student made progress since the previous lesson? If things sound the same as last time, that’s not a good sign. I can tell when students are focusing their practice … Read more

Advice on multiple-woodwinds graduate degrees and teaching careers

I often have university students bring up the idea of graduate school and a university teaching career, and I have previously given general advice about that. Perhaps since my graduate degrees and a teaching career are in multiple woodwinds, my students sometimes wonder if that’s a path they should take. Here are a few thoughts: … Read more

Do I have to practice over the summer?

As I send my students off to their summer plans, I know many of them are asking themselves the same question I used to ask: Do I have to practice? Your teacher might give you a summer assignment. I feel like I really can’t give my students official, enforceable assignments when they aren’t enrolled in … Read more

Do I need a college degree for my instrumental music career plans?

While college study may not be the right choice for every instrumentalist, it’s hard to beat for a well-rounded musical education (with performance study, music theory, music history, and more), plus life skills, networking, and enhanced employability in the general job market.

Which multiple woodwinds degree programs should I apply to?

“Which multiple woodwinds degree programs should I apply to?” I get this question a lot, since I write about multiple woodwind degree programs here on the blog, have a couple of those degrees myself, and maintain a list of such programs. (The list is meant to be comprehensive but probably isn’t. If you know of … Read more