Recital videos, August 2018

Here are some videos from my recent Delta State University faculty recital. I enjoyed tackling Brett Wery‘s challenging Sonata for multiple woodwinds (flute, clarinet, alto saxophone) and piano, plus some little oboe pieces and the André Previn bassoon sonata. As always, the goal was to challenge myself, so, as always, the performance had some hiccups. But it was a valuable growth experience for me and a chance to perform some new repertoire.

Recording: Claude T. Smith Suite with Delta State Wind Ensemble

A few months ago I got to perform Claude T. Smith’s Suite for Solo Flute, Clarinet, and Alto Saxophone with the Delta State University Wind Ensemble, conducted by Dr. Erik Richards. It’s a fun showpiece for a woodwind doubler with band, which I’ve had a few opportunities to perform over the last 10 years.

The Suite requires more-than-casual doubling on flute, clarinet, and saxophone. (Some of the altissimo in my performance isn’t in the original part.) Like most of Smith’s music, the Suite is light and appealing, with some rhythm/meter hijinks and a hint of jazz influence. Worth tackling if you’re a serious flute-clarinet-saxophone doubler and get a chance to work with a good wind ensemble.

Here’s a YouTube video (audio only) of the April 11 performance:

Favorite blog posts, June 2018

Favorite blog posts, May 2018

  • Flutist Jolene Madewell improves her articulation with understanding of how the tongue moves.
  • Patty Mitchell discusses the oboe and getting into college.
  • David Pierce gives brief summaries of some books on bassoon reedmaking.
  • Saxophonist James Barger explains a method of vibrato development using a mobile app.
  • Clarinetist Jenny Maclay is organizing a Kroepsch studies boot camp for June.
  • Nicole Riner gives piccolo advice.

Favorite blog posts, April 2018

The flute bloggers were especially busy in April.

Favorite blog posts, March 2018

Favorite blog posts, February 2018

Review: “Double Troubles” by Paul Saunders

A few months ago I wrote a review of So You Want to Play in Shows…?, a book of woodwind doubling etudes by Paul Saunders. Recently Paul sent me Double Troublesa new collection of etudes. Like So You Want, the new volume includes a piano part plus access to downloadable backing tracks. As I said in the previous review:

This is an elegant solution to one of the problems of woodwind doubling etudes: how do you enforce quick instrument switches? … Saunders’s book, used with the recordings, provides a simple way to work out quick switches alone in a practice room.

Like in the previous book, these etudes are musically interesting and in styles typical of contemporary musical theater. Double Troubles is overall somewhat more challenging, including some saxophone altissimo and flute third octave up to C (though most of the extreme high register playing on both instruments is marked as optional—Paul clarified to me that the upper register is preferable, and the optional 8vbs are to make the etudes more approachable if needed). The book also incorporates soprano and tenor saxophones on some etudes, in addition to the flute/clarinet/alto used in the first book.

Two of the etudes are by guest composers, Darren Lord and Jennifer Whyte. Here’s a quick-and-dirty demo of the tune “Disco Nap,” which is Darren Lord’s contribution:

I had fun playing through these, and recommend Paul’s doubling etude books as one of the best sources of practice material for the flute/clarinet/saxophone doubler.

Favorite blog posts, December 2017