pencil and a digital metro tuner on music sheet

Use your metronome most of the time

Why should you use a metronome when you practice?

  • Music is about organizing sounds in time. Often my students are so focused on playing the “sounds” (pitches) that they forget about the time part. They learn to play the right sounds in the right order, but not precisely in time.
  • The metronome helps reveal problem areas. Without a metronome, it’s easy to conveniently slow down or hesitate over a challenging spot. The metronome annoyingly reminds you that something went wrong.
  • Working with an audible steady pulse helps develop your inner sense of time, so you’ll play more accurately even after you turn the metronome off.

How much should you use a metronome?

  • Probably most of the time. I use a metronome for at least 80% of the time I spend practicing.

But doesn’t playing with a metronome make your playing sound too mechanical?

  • I know very few musicians who have the problem that their tempos are too steady. It’s important to practice the tempo nuances too, but if you can’t play the line in perfect time then you probably can’t do a convincing accelerando/ritardando.

What about when you’re practicing something that doesn’t fit well with a metronome, such as changing time signatures?

  • Smartphone metronome apps have pretty amazing features these days. And music notation or audio editing software can create anything you can imagine. (For examples, see Adam Ballif’s “Ballif Beats” for clarinet repertoire, or James Barger’s classical saxophone accompaniment track videos.) Time invested creating practice tools like these can pay off in a big way. And in many cases you don’t have to create a metronome track for the whole piece, just for the spots that don’t work well with a standard metronome.

What if you’re “not good” at playing with a metronome?

  • Practicing with a metronome is a crucial and mandatory skill for a developing or advancing musician. It’s time to learn.
  • Start slowly, maybe very slowly, and work in small chunks.
  • Learn to use your metronome’s features, including subdivisions and time signatures.
  • Make sure the metronome is loud enough. If feasible, consider using an earphone, an external/Bluetooth speaker, or metronome features like flashing lights or vibrations you can feel.

But what if you heard a big-shot musician say you shouldn’t practice with a metronome?

  • In my experience, there are two kinds of musicians who think they don’t need a metronome. One is the top 1%, who have spent a lifetime developing world-class musical abilities. The other is beginning and intermediate musicians, who haven’t learned the value of metronome work because they haven’t done it enough. Don’t mistake a top-level musician’s musings for good beginner advice.

Fire up the metronome and go practice!

Similar Posts

  • Playing at professional volume

    One thing I notice about a lot of my younger university students is that they play softly. Sometimes they seem reluctant to play above what I might consider about a mezzo piano.

    If I ask, many of them reveal that they spent their formative years in school band programs getting The Hand from their directors. Beginning oboists and saxophonists in particular can make rather pungent and conspicuous noises. And band directors, understandably anxious to produce a well-blended ensemble, give the traffic-cop “stop” sign of the raised palm to hush the worst offenders. Those young musicians learn quickly to play in a restrained, timid way, and that anything louder than a murmur is a faux pas.

    I can’t really blame the band directors, who have a set of concerns different from mine. (When I have taught beginners in a private lesson setting, I have encouraged them to play loudly from day one, and treated softer dynamics as an intermediate-level technique.)

    But much of college-level music study is about students’ development as soloists. In that context, they need to play with authority, and, well, volume. And they may find that college ensembles have different demands than their high school groups, too.

    Fixing the problem usually doesn’t involve teaching much new technique, perhaps a review of proper breath support. The rest is encouragement and example from me.

    Over the course of a few weeks or months, I play for them in lessons, showing how I can fill up the room with sound. I ask them to imitate that sound, and urge them on to louder volumes. If I ask them to play their very loudest, and then ask them to top that, they usually can—they are just afraid to, and warn me that if they get any louder it will sound bad. But surprise! It doesn’t.

    If you aspire to play at a professional level, or teach students who do, explore the louder part of that dynamic range, and make yourself heard!

  • Music for its own sake

    At least once every few weeks, my social media feeds get flooded with links to the latest article about how kids should learn music because it turns them into excellent businesspeople and scientists and politicians. The latest is an opinion piece from the New York Times.

    Condoleezza Rice trained to be a concert pianist. Alan Greenspan, former chairman of the Federal Reserve, was a professional clarinet and saxophone player. The hedge fund billionaire Bruce Kovner is a pianist who took classes at Juilliard.

    Multiple studies link music study to academic achievement. But what is it about serious music training that seems to correlate with outsize success in other fields?

    It may or may not be true that musical training sharpens math skills and teamwork skills and so forth. But I am irritated by the subtext that music isn’t something worth pursuing on its own merits—it is only valuable as cross-training for making a “real” contribution to society. Nobody ever seems to wonder whether education in mathematics or reading or science makes people into better musicians.

    Photo, Bill Selak
    Photo, Bill Selak

    Read More “Music for its own sake”

  • |

    Know your foreign musical terms

    This is a bit of one of the excerpts that I provided for my saxophone students to play at their beginning-of-the-semester band auditions.

    "Excerpt

    I heard some very fine playing during the auditions, but many of the students were fooled by the “senza vib.,” with some going so far as to use fairly extreme vibrato at the beginning of the note.

    As my blog readers already know, of course, senza vibrato means without vibrato. Read More “Know your foreign musical terms”

  • MS Word music hack: Automatic sharps, flats, and naturals (Updated 2019)

    Ten years ago in 2009 I wrote a blog post about how to set up auto-complete sharp, flat, and natural symbols in Microsoft Word 2007 running on Windows Vista. Here’s an update for Word 2016 on Windows 10.

    Thanks to Ariel Detwiler for calling my attention to the need for an update.

    How it will work

    Type this (plus space bar)Get this
    F-sharpF
    B-flatB
    C-naturalC

    Will it work on Office 365?

    No, the web version of Office doesn’t currently (2019) support this feature.

    How to set it up

    1. Open up a new Microsoft Word 2016 document.
    2. Type the following:
      266d
      Then press Alt-X. The “266d” should turn into a flat symbol.
    3. Highlight the flat. Click the “File” tab, then “Options.” A dialog box appears; click “Proofing” at its left-hand side. Click the “AutoCorrect Options…” button. On the “AutoCorrect” tab, make sure “Replace text as you type” is checked. In the “Replace:” box, type:
      -flat
      Next to “With:,” make sure “Plain text” is selected. Your flat should be in the “With:” box. Click “Add,” then click “OK” twice.
    4. Repeat steps 2-3 for the sharp and natural signs. In step 2, use “266f” for sharp and “266e” for natural, and in step 4 use “-sharp” and “-natural.”

    If you are in the habit of using the pound sign (#) and lowercase b for sharp and flat signs, shame on you for your unprofessional documents. You might be tempted to set up your AutoCorrect to correct those. The problem with doing it that way is that you will have to create a separate AutoCorrect entry for each note (Ab, Bb, Cb, etc.). Plus, it’s a good idea to just get in the habit of typing “F-sharp” so if you’re using a system that doesn’t have your special AutoCorrect set up, you will be left with that more correct version instead of a pound sign or letter b.

    If you have set up the AutoCorrect but you actually want to type “-flat,” “-sharp,” or “-natural” and override the automatic change, type what you want and then press Ctrl-Z (Undo) to change the symbol back into text.

  • Musicians should embrace carry-on baggage fees

    Disclosure: As an Amazon Associate I earn from qualifying purchases, at no cost to you.

    People are outraged over an airline’s announcement that its cheapest fares will no longer cover carry-on baggage. (This isn’t the first time that airlines have charged fees for carry-on bags.)

    My experience flying with musical instruments as carry-ons has been stressful at best. This passage from an economics textbook rings true to me:

    photo, Bradley Gordon

    The battle begins in the gate where air travelers elbow their way to the front of the line to board the aircraft as soon as possible in order to grab an overhead bin. Once on the aircraft, the real fight begins. Some passengers with seats in the rear of the plane toss their bags into the front compartments to be sure they get a spot. People with oversized bags cram them into the narrow bins, pushing the bags, coats, and hats of passengers with correctly sized luggage into the corners. People ask for help from the flight attendants but their pleas are ignored. The flight attendants say they are too short staffed to handle passenger disagreements concerning bags. Losers are left standing with their “homeless” bags. …

    Are people just selfish and rude? Most economists say no, they are just responding to the absence of market incentives. The overhead bins are a commons. It’s Dodge City. Nobody “owns” the space in the overhead bins. People can’t trust strangers to act with cooperation or courtesy. The result is “warfare.”

    Things could be different. Creating an overhead bin market would bring out the best of people. Here is how. Most of today’s airlines charge people extra to check a bag and offer the overhead bins for “free.” It should be just the reverse.

    Nobody likes paying more. But a carry-on fee is a small percentage of an airline ticket. And for most musicians it’s a small price to pay for better access (maybe even guaranteed access!) to the overhead storage. Is it worth the price of a box of reeds or two to know my saxophone will arrive in one piece? Or the price of a pound or two of cane to ensure that my bassoon reaches its destination? I think so.

  • Sharp, flat, and natural symbols on Android and iOS devices

    There are lots of ways to handle music symbols like sharps (♯), flats (♭), and naturals (♮) on iPhone/iPad and Android devices:

    • Not recommended: Use a pound/hash/number sign for sharp, and a lower-case b for flat. It’s ugly and unprofessional, and in some cases unclear, plus there’s not an obvious solution for natural.
    • Spell it out. Use forms like F-sharp, B-flat, or C-natural. Use a capital letter for the note name, then a hyphen (no spaces), then the name of the accidental in lowercase. For appropriate situations, this version is easy, clear, professional, and doesn’t require any special tools or setup.
    • Copy and paste. You can copy and paste symbols from a place you know them to exist, like a web page or your favorite notes app, using your device’s copy/paste method.
    • Use the built-in clipboard. My Android phone has a clipboard history, so if I have cut/copied/pasted the symbols recently, I can use them again. (Not all Android devices have this feature.) I tap and hold where I want the symbol to appear, and then choose the Clipboard popup. Then I can scroll through recent clipboard items and find the symbol I want. I can tap the symbol to paste it, or tap and hold to get the option of locking it to the clipboard so it will always be there.
      As far as I can tell iOS does not currently have this feature.
    • Use a clipboard app. For example, Clipper – Clipboard Manager on Android will let me create “snippets” that I can access from a persistent notification, and copy to my clipboard for pasting into text. Copied on iOS also provides ways of saving clipboard items for future use [update: app appears to have been removed from App Store].
    • Use autocorrect. On my Android phone, I can add words to the “personal dictionary” to incorporate them into the autocorrect feature. (On my device it’s in Settings → General management → Language and input → Personal dictionary, but on yours it might be different.) My preferred method is to add -sharp or -flat or -natural as the shortcut, and paste in the symbol as the “word.” Then, when I type A -flat, my phone offers the symbol as a correction. Notice there’s a space after the A. That’s because my phone won’t offer an autocorrection for a partial “word,” like the -flat in A-flat, so I have to trick it by putting in a space, which I can delete after accepting the autocorrect. I could get around this by adding a separate personal dictionary entry for each note, like A-flat, B-flat, C-flat, and so on.
      On iOS, use Settings → General → Keyboard → Text Replacement, and tap + to add -sharp etc. as the shortcut and the symbol as the phrase. As with Android, this requires typing the note name and then a space before the -sharp.
    • Use a text replacement app. On Android I like Texpand. I can create a phrase with, for example, -flat as the abbreviation, and as the phrase (paste it in), then enable that phrase’s “Expands immediately” and “Expands within words” options. Then typing E-flat immediately corrects to E♭ in any phone app. (This is my current favorite Android solution.)
      On iOS TextExpander + Keyboard offers similar functionality but requires using a special keyboard and does not appear to have an “Expands within words” option, so you must type the note name, then a space, then -sharp.
    • Use a special characters app. Something like Character Pad – Symbols works well on Android. Use the search function to find the symbol you want, then tap the heart to add it to your favorites, or tap COPY and it will automatically be added to your “Recents.”
      iOS has similar apps available, such as Unicode Map and Code Table. Use its search function to find the symbol you want, and it is automatically added to your “Frequently Used” list.
    • Use a custom keyboard. Some keyboard apps (such as CustomKey Keyboard on Android) will let you customize the key layout, so you can add any special characters you want.
      On iOS, Keyboard Characters & Symbols provides access to lots of symbols, including musical ones, and it’s easy to switch between it and your other favorite keyboards. (This is my current favorite iOS solution.)

    Using the correct symbols is the right choice for clear, professional communication about music. Do you have another solution for using these symbols on mobile devices? If so, please share in the comments.

Leave a Reply

Your email address will not be published. Required fields are marked *

Comments that take a negative or confrontational tone are subject to email and name verification before being approved. In other words: no anonymous trolls allowed—take responsibility for your words.

This site uses Akismet to reduce spam. Learn how your comment data is processed.