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Recital videos, August–September 2024
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I’m pleased to share videos from my recent recital mini-tour, performed at Delta State University, Mississippi State University, and East Mississippi Community College. The program was five works for five different woodwind instruments, all using live electronics.
My electronic setup was a Shure SM58 microphone (for flute and oboe), a PiezoBarrel clarinet pickup, a Little-Jake bassoon pickup, and a NUX B-6 saxophone microphone, all connected to a Yamaha MG10XU mixer. From there the signal was routed through a Boss GT-1000CORE multieffects unit and a Boss RC-600 looper.
Here’s the program and video playlist:
Farewell: James Moody
Woodwind doubler and jazz great James Moody passed away today. James Moody was known for his saxophone (especially tenor) and flute playing. You can read the obituary from the San Diego Union-Tribune, but, if you’re like me, you might rather just watch this. I love the weirdly humorous but deeply respectful intro by none other than Dizzy Gillespie.
Introducing the Fingering diagram builder
I’m pleased to present something I’ve been working on, on and off, for a while now. I’m pretty excited about it, and I hope you will check it out and let me know what you think.This project developed from my own need to quickly and easily create fingering diagrams for the woodwind instruments that I play and teach. Frequently I find myself scribbling saxophone altissimo fingerings onto a scrap of paper during a private lesson, cutting-and-pasting at the photocopier to put together simplified charts for a woodwind methods class, or penciling cryptic markings into musical scores to remind myself which pinky finger to use.
And so, I’m pleased to introduce the Fingering diagram builder. I hope you’ll take it for a spin. Read More “Introducing the Fingering diagram builder”
Woodwind Doubler Census results, part 6: benefits
In this installment, we look at why woodwind doublers do what they do.
Q. What is the greatest benefit of being a woodwind doubler?
Here’s my own breakdown of the most common types of answers. Many answers fit into more than one category.

- More gigs: Unsurprisingly, this was a factor for over half of the respondents. However, many if not most indicated some non-monetary motivation:
- Variety
- Fun/satisfaction
- Artistic expression: A number of respondents mentioned the ability to access a variety of tone colors as a motivating factor.
- Cross-training: Several respondents indicated that playing one instrument improves their skills at another.
- Challenge
Here is the complete list of responses, with only very minor editing, in random order.
Read More “Woodwind Doubler Census results, part 6: benefits”Faculty woodwinds recital, Aug. 30, 2011
Bret Pimentel, woodwinds
Kumiko Shimizu, pianoFaculty Recital
Delta State University Department of Music
Recital Hall, Bologna Performing Arts Center
Tuesday, August 30, 2011
7:30 PMProgram
Divertissement for multiple woodwinds and piano
Sy Brandon (b. 1945)
World premiere- Intrada
- Nocturne
- Valse
- Marche
- Romanza
- Galop
Caprice en forme de valse for alto saxophone
Paul Bonneau (1918 – 1995)Sonata for oboe and piano
Francis Poulenc (1899 – 1963)- Elégie
- Scherzo
- Déploration
Sonata for clarinet and piano
Francis Poulenc- Allegro tristamente
- Romanza
- Allegro con fuoco
Ode to a Toad
Ray Pizzi (b. 1943)
Read More “Faculty woodwinds recital, Aug. 30, 2011”2012 in review
Here are some highlights (to me) of what happened on the blog this year. Thanks for reading, and stay tuned for new, non-meta content once the holidays are over.
- Some technique talk for flutists, oboists, and clarinetists, and some stuff for reed players of various stripes.
- Some stuff for woodwind doublers: finding gigs, why fingerings aren’t that big of a deal, an interview with a real live doubler on a touring musical, which instrument you should tackle next, and getting and keeping your skills up to snuff.
- Some jazz insights for classically-trained musicians, including a chord symbol primer and some debunking of common jazz myths.
- Wholly unsolicited opinions about things like full-range scales, class woodwinds textbooks, pencils, snobbery, instrument value, music education curricula, and, naturally, purple violins.
- Product reviews: Rico’s new “Reserve” clarinet mouthpiece (plus a sequel), a woodwind doubles stand by Hercules, and a saxophone book by Ben Britton.
- Reports on a couple of events: the very awesome/nerdy John Mack Oboe Camp, and my annual faculty recital.
- A couple of new software projects designed to help bloggers and other web-dwelling folk to use proper musical accidental symbols, and a diatribe about why they should. Some significant improvements to these tools are on the way.
- An overhaul of the Fingering Diagram Builder, and some tutorials. Still more improvements to the FDB are in the works.
- Some snark about internet forums and about my students’ excuses, and a possibly borderline-felonious April Fools joke that seemed mostly to fly under the radar. Luckily I do those for my entertainment, not yours.
Don’t forget to subscribe via your favorite feed reader or social network, and hit me up with your questions, comments, and requests. Happy New Year!
