My university students are mostly undergraduate music education majors, but many at some point inquire about graduate school, including a performance degree path and eventual university teaching. Here are some things you should know about graduate performance studies if you’re an undergraduate music major.
Review: D’Addario Select Jazz tenor saxophone mouthpieces
I’ve already done thorough reviews of the D’Addario clarinet mouthpieces (twice) and alto saxophone jazz mouthpieces, both of which immediately replaced the competing Vandoren products I was previously using. So, naturally I’ve been very anxious for the release of the hard rubber tenor saxophone jazz mouthpiece, and I got my hands on some samples earlier … Read more
Favorite blog posts, February 2017
Hand-picked high-quality woodwind-related blog posts from around the web, March 2017 edition.
Concept-based woodwind methods
If you are teaching a woodwind methods course, you might be interested in my book.Most college students studying instrumental music education have to take a woodwind “methods” course, a sort of crash course in teaching the woodwind instruments. I have taught woodwind methods classes for about the past ten years. A typical approach is to divide … Read more
Why scales?
I recently asked one of my (woodwind) students why she thinks I make her practice scales. She didn’t have a ready answer, and I realized maybe I hadn’t been clear about the value of scales. Here are some reasons to practice scales (and arpeggios, and other methodical technical materials): To develop good finger movement. Scales provide … Read more
Review: “So You Want to Play in Shows…?” by Paul Saunders
I got a review copy of So You Want to Play in Shows…?, a new woodwind doubling etude book. The author, Paul Saunders, is a woodwind player in London’s West End. The book includes seven studies for doubler playing flute, clarinet, and alto saxophone. It also includes a piano accompaniment book, with piano part recordings available … Read more
Favorite blog posts, January 2017
Hand-picked high-quality woodwind-related blog posts from around the web, January 2017 edition.
Low reed stand showdown: K&M vs. Hercules
Overall, I guess I lean toward the Hercules a little for bass clarinet, mostly because I could add, say, pegs for B-flat and E-flat clarinets and be ready for a utility clarinet gig. And I like the K&M slightly better for bassoon because its larger, softer cup makes a better target during a quick instrument switch.
Staying challenged
I teach a small woodwind studio at a small university. That means that sometimes especially talented and hardworking students find they don’t have a lot of competition for ensemble placements, awards, and other things. Here’s what I suggest to students in that position, who want to stay motivated and challenged but have bumped up against … Read more
Musicians should embrace carry-on baggage fees
People are outraged over an airline’s announcement that its cheapest fares will no longer cover carry-on baggage. (This isn’t the first time that airlines have charged fees for carry-on bags.) My experience flying with musical instruments as carry-ons has been stressful at best. This passage from an economics textbook rings true to me: The battle begins in the gate … Read more