What to expect in your first semester studying music in college

books file on shelf
  • Jumping in the deep end. In some college majors, you will spend your first couple of years doing “general education” courses (like writing, math, history, and science), and not take many “major” classes until later on. But with music, you usually start on day one with a lot of music classes.
  • A thorough and varied education. During your years in college you will probably study music theory and music history, play the piano (even if you’re not a pianist), sing (even if you’re not a singer), perform as a soloist and ensemble member, conduct, compose, and more. There’s a good chance you will dislike or think you are bad at some of those things, but they are part of your complete career preparation.
  • New teacher-student interactions. In high school you may have gotten used to a band or choir director being your go-to person for all things musical. But in college you may also work very closely with a teacher of your instrument or voice, plus teachers of other musical topics. Your teachers may expect you to meet differing expectations (such as different writing styles or vocabulary or attendance policies). You may find that your teachers put demands on your time that you will have to navigate carefully to avoid conflicts.
  • A dose of adulthood. Expect to take more individual responsibility for most aspects of your education (and life). Your college teachers are more likely to expect you to locate and obtain needed books, sheet music, supplies, instrument repairs, etc. on your own. (They may be willing to suggest some good companies to purchase from.) And if you’re used to a grown-up making sure you get up on time, do your homework, and eat reasonably nutritious meals, you are now that grown-up.
  • Choices with consequences. You may find yourself pulled in multiple directions by school, family, friends, and other activities. Understand that sometimes it may be the best choice for you to attend a family event and miss some classes, but that’s not the same thing as being “excused.” Your grade will probably suffer. And for music students, missing certain rehearsals or performances might have particularly dire consequences, since your absence affects the group.

Studying music in college is fun and rewarding, but also a challenge. Good luck!

Doubling up pinky fingers on the clarinet

There are two basic fingerings a clarinetist can use for B4: option 1 option 2 But there are some other possibilities, such as adding either of the pinky C keys. Doing this doesn’t open or close any additional toneholes, so the note isn’t affected at all: option 3 option 4 While the extra pinky finger … Read more

Why you should use a scale sheet

My university students take a scale exam covering all the major and 3-forms-of-minor scales, plus arpeggios, in all 12 keys, memorized. In preparation, I provide them with a scale “sheet,” with all of the scales and arpeggios written out note by note. There’s a part of my brain that objects to this, since I don’t … Read more

Favorite blog posts, April 2022

Hand-picked high-quality woodwind-related blog posts from around the web, April 2022 edition.

Creating “lightness”

a white feather pen

Composers (or a performer’s interpretation) often call for “lightness” in music. How do you play a wind instrument “lightly?” When I discuss this with my students, they often suggest that the way to play lightly is to be lighter with their tongue. When I turn that around on them—”is there a situation where you should … Read more

What really went wrong? Leaning into problem spots

photo of man touching his head

I have a recurring teaching challenge with my saxophone students who are tackling the altissimo register for the first time. They play a passage, and when they get to the altissimo note, if it doesn’t respond perfectly, they immediately stop playing. When I ask why, they look puzzled. “The note didn’t come out.” “Well, what … Read more

Favorite blog posts, March 2022

Hand-picked high-quality woodwind-related blog posts from around the web, March 2022 edition.

Woodwind trill technique

Ideally, a trill is done with one finger, and preferably a finger that is nimble and independent, like an index or middle finger: flute bassoon clarinet In many cases that isn’t possible. When two fingers (or more!) are needed, it’s best if they can be fingers of the same hand, moving in the same direction … Read more

Making every marking audible

music notes

When my students work on études (musical pieces intended for study but not performance) I stress with them the idea of making everything on the page audible. That means that if I were unfamiliar with the étude but a skilled transcriber, I could listen to my student play, and write down with confidence every: Pitch … Read more

Practice fewer notes

printed musical note page

I can’t remember where I picked up this tip, but it has been a game-changer in how I practice technically-challenging passages. (If you know a source, please let me know!) The idea is this: practice only as many notes as you can keep in your head. So, if I’m practicing an unfamiliar passage, and can … Read more