Favorite blog posts, July 2020

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See the woodwind blogs I’m following, and suggest others!

Don’t say this to your beginning oboists

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Here is a version of a handout I provided recently to graduate students at the American Band College, a summer program for school band directors. Band directors, don’t say this to your beginning oboists: “Shh.” As a university oboe teacher, I routinely meet young oboists who play like they are terrified of making a sound. … Read more

Update: COVID-19 wind playing resources

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In a recent blog post I offered a few personal thoughts on wind playing and the COVID-19 crisis, and began listing some articles and resources related to the topic. I have now moved those to a separate and freshly-updated page. If you are aware of other resources, feel free to bring them to my attention … Read more

Understanding response and stability

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For most players and situations, some kind of middle ground is the right choice: enough response to articulate notes at pianissimo, but enough stability that you don’t have to devote all your attention to keeping things in tune.

Wind controllers as “practice” woodwinds

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Can you use a wind controller, like the Akai EWI, the Yamaha WX, or the Roland Aerophone, as a convenient and/or quiet way to practice a “real” woodwind instrument, like the saxophone or the flute? No, not really. You can practice some very limited aspects of woodwind playing. For example, each of those wind controllers … Read more

Should I tighten the screws on my woodwind instrument?

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For many household items, screws should be tightened if they seem loose. But for woodwind instruments it’s a little more complicated. Woodwind instruments (flutes, oboes, clarinets, bassoons, and saxophones) have many screws on them. They are usually the slotted type, for which you would use a standard (“flat-head”) screwdriver. And some of them need to … Read more

Favorite blog posts, May 2020

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Hand-picked high-quality woodwind-related blog posts from around the web, May 2020 edition.

Let audiences applaud at your classical music concerts. Or don’t.

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The question of when to permit applause at a classical music performance has already been discussed to death. In summary, some people believe that you should encourage applause only after a complete work is finished, because: It allows the piece to be heard as a unified whole It’s respectful to the musicians and/or audience It’s … Read more