Doctor of Musical Arts

Dr. Bret Pimentel, D. M. A.
The University of Georgia
May 9, 2009

Dr. Bret Pimentel, D. M. A.
The University of Georgia
May 9, 2009
Bret Pimentel, woodwinds
Kumiko Shimizu, piano
Department of Music
Delta State University College of Arts and Sciences
Recital Hall, Bologna Performing Arts Center
Monday, February 15, 2010
7:30 PM
Sonate for oboe and piano
Paul Hindemith (1895-1963)
Sonata for clarinet and piano
Leonard Bernstein (1918-1990)
Rhapsody for bassoon
Willson Osborne (1906-1979)
Concerto for alto saxophone
Pierre Max Dubois (1930-1995)
Read More “Faculty woodwinds recital, Feb. 15, 2010”
I’m pleased to announce that I have accepted a new faculty position, teaching clarinet and saxophone at Mississippi State University. It has been a pleasure to work with the clarinet and saxophone studios there on a part-time basis during the past year, and I’m looking forward to hitting the ground running, full-time, in August.
The timing is good, as I’ve just finished my final year at Delta State University due to the closure of its music department (and others) as a cost-saving measure. My heart goes out to those who are still looking for a soft landing.
And if you are looking for a great place to study music, please do reach out! Hail State!
I often get email from people who are considering pursuing a college or conservatory degree in multiple woodwinds. Now that I’ve completed two of them myself, here are a few thoughts.
If you want to enter a multiple woodwinds degree program, you should already have at least a basic technical command of each instrument to be included on the degree. This really should include a background of good private instruction on each instrument. In my experience, self-taught players on any instrument are rarely very well prepared for the rigors of college-level study.
Bachelor’s-level programs are rare, and I think that’s with good reason. For most woodwind players, I think, diving right into college-level study of three or more instruments is ill-advised. You will do much better to spend those years focusing on your strongest instrument, developing your musicianship, learning good practicing techniques, and hopefully racking up some achievements like contest awards or high placement in top university ensembles. All of those things benefited me very much (my bachelor’s degree is in saxophone performance), and it’s likely I wouldn’t have been able to achieve as much if I had been dividing my practice hours between multiple instruments (plus completing music coursework AND general education coursework). Read More “More thoughts on multiple woodwinds degrees”
Here are videos from my recent faculty recital at Delta State University. I performed the Saint-Saëns oboe, bassoon, and clarinet sonatas, plus the flute Romance and “The Swan” from The Carnival of the Animals as a baritone saxophone transcription.
“The Swan” is originally for cello, so I assumed it might work well as a baritone saxophone transcription. It turns out it really fits quite comfortably in the alto saxophone’s range, but I decided to take it on as a baritone piece anyway as a personal challenge.
Disclosure: As an Amazon Associate I earn from qualifying purchases, at no cost to you.
I’m pleased to share videos from my recent recital mini-tour, performed at Delta State University, Mississippi State University, and East Mississippi Community College. The program was five works for five different woodwind instruments, all using live electronics.
My electronic setup was a Shure SM58 microphone (for flute and oboe), a PiezoBarrel clarinet pickup, a Little-Jake bassoon pickup, and a NUX B-6 saxophone microphone, all connected to a Yamaha MG10XU mixer. From there the signal was routed through a Boss GT-1000CORE multieffects unit and a Boss RC-600 looper.
Here’s the program and video playlist:
Okay, nerds. I got email from a composer acquaintance who pointed out, correctly but also politely, that the Fingering Diagram Builder was lacking a bit in the area of flute half-holing. Here is a minor release to fix that problem. Now you can do some different half-holes on an open-holed flute’s rings. Here is the most obvious kind:

But this may also be useful:

Or, hey, get creative with it:

You can even do this if you want to. It’s no skin off my nose.

If you’re going for something relatively simple, a few clicks will do it. For the first example (lengthwise upper), click the “Keywork” tab on the menu, then “Keywork details.” Scroll down quite a bit and set “Open holes” to “always” and “Lengthwise upper half-holes” to “always.” Now you are in business. For the key that you want, click the main key (biggest circle) on the diagram, then the open half of the hole, then the closed half of the hole. Bam.
I’m interested in making the FDB useful for new and interesting kinds of fingering diagrams, so let me hear your requests for future versions. Stay tuned for more new features and improvements that are already in the planning stages.
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Congrats Bret! What an accomplishment! Had I stayed with a music as a career I would have received my DMA about 20-25 years ago. Best wishes on the job hunt. And please keep your website going. It’s a great resource.