Review: The Woodwind Anthology

Woodwind Anthology cover

I recently got my own copy of The Woodwind Anthology, a massive two-volume collection of articles from The Instrumentalist and Flute Talk magazines. I’ve used this anthology from various university libraries throughout my  long college education, and found it to be a go-to source for pedagogy classes and comprehensive exam preparation.

Inexplicably, Instrumentalist is selling these right now for $37 for the set. Check it out here. The shockingly low price makes me wonder if this has gone out of print. If you’re interested, I suggest ordering soon.

Read more

Free woodwind sheet music on the IMSLP

IMSLP logoThe Internet Music Score Library Project is an online library of public-domain sheet music. Most of the available music is in PDF format and can be freely downloaded. The files are uploaded by users, mostly scanned from published sheet music that falls into the public domain. This means mostly compositions that are old enough to be public domain, in published editions that are also old enough to be public domain.

This is a fantastic resource for finding older editions of woodwind solo pieces, chamber music, and orchestral parts.

Read more

Rampal on flutist/flautist

Jennifer Cluff posted this video on her excellent blog today:

I think Ms. Cluff’s commentary is right on the mark.

But I’ll admit the thing that jumped out to me was the brief conversation between Jean-Pierre Rampal and Dick Cavett, at about 5:10. Rampal takes a stand on the flutist/flautist thing, which is a big pet peeve of mine.

Review: The Woodwind Player’s Cookbook

I’ve been reading The Woodwind Player’s Cookbook, published last year by Meredith Music and edited by Charles West. It’s a collection of 57 pedagogical essays by a pretty impressive roster of woodwind folks. You can download the table of contents here to see the authors and titles.

Most of the articles deal with technique fundamentals on specific instruments, which should make this book valuable to school band directors, but it also works quite well as a handbook for woodwind doublers; in fact, there are several articles that deal specifically with doubling, by Mike Duva, James Nesbit, Elsie Parker, and Albert Regni.

Read more

Eight live microphone tips for woodwind players

If you are a classically-trained woodwind player, playing into a microphone might be a new experience for you.

A rock band that I play in (flute and saxophone) does a lot of shows in small clubs and bars, and the sound guy (or girl—I’m using “sound guy” from here on out, with gender-neutral intent) is usually used to miking vocals, guitar amps, and drum sets, and may or may not know what to do with a woodwind instrument. I can often help things along, and make sure the band and I sound our best, by coming armed with a small amount of knowledge.

Here are some basic tips for looking and sounding like you know what you’re doing. I’m assuming here that you’re not doing anything fancy gear-wise (there are plenty of options if you want to buy a clip-on mic), just showing up with your instrument and using the venue’s basic sound equipment.

Read more

DRQOD: Ghandarvas and powdered wigs

I always enjoy Patty Mitchell’s “BQOD” (Blog Quotes Of the Day) over at oboeinsight. I’m in the thick of dissertation writing these days (technically, it’s “doctoral document” writing, since I’m working on a DMA, not a PhD), and this morning I ran across a couple of items that won’t make it into the finished product but are too fun to keep to myself. And so I present my Dissertation/Document Research Quotes Of the Day:

Read more

Flutist spotlight: Captain Chesley B. Sullenberger III

Captain Chesley B. Sullenberger III, who heroically piloted US Airways Flight 1549 to a safe emergency landing in the Hudson river, was first-chair flutist in his high school marching band, according to the New York Times.

Read more

Mario Rivera (1939-2007): Latin saxophone and flute

I recently got a copy of the 1984 Tito Puente disc El Rey. I’m sorry to say I wasn’t familiar with the names of any of the other musicians on the album—everyone sounds absolutely incredible—but I was blown away by the flute and tenor playing of Mario Rivera.

A quick Google search later and I can see that the late Mr. Rivera ranks among the heavies of Latin Jazz, and I have been missing out on his playing before now. Pick up a copy of El Rey and check out his virtuosic charanga-style flute playing (on Puente’s Oye Como Va, for examplethat’s right, Tito Puente wrote it, not Carlos Santana) and some really tasty tenor sounds, too (check out the Latin cover of Giant Steps).

Or, surf on over to YouTube for some videos from a Bern Jazz Festival appearance. Hear some breathtaking baritone  playing, some really nice flute duets (not to mention piccolos, timbales, and scat) with Dave Valentin, and, if that’s not enough, Rivera on vibes and even trumpet(!).

Read more