- The Clarinet Online, the International Clarinet Association’s blog, gives reports on many of their August conference events. Jessica Harrie also makes a report [update: link dead], as does Chastine Hofmeister (two posts).
- Cynthia Ellis shares a couple of third-octave piccolo trill fingerings.
- The “Clarinet Things” blog outlines a method for practicing scales. Saxophonist Ben Britton shares some tips for polishing them.
- Oboist Aaron Lakota gives some advice on breaking out of a “reed rut.”
- Sandy Herrera is running a clarinet audition-prep challenge.
- Woodwind player David Freeman relates an experience playing for a musical.
- Eric Seddon comments on some jazz clarinet history [update: link dead].
- Simon Barker offers advice on how to record a saxophone.
- Oboist Jennet Ingle discusses her experience recording an album.
- “Ericdano” reveals some saxophonists’ favorite electronic effects pedals.
- Saxophonist Bill Plake explores “compression” and wind playing.
ICA
Favorite blog posts, August 2014
Hand-picked high-quality woodwind-related blog posts from around the web, August 2014 edition.
Report: International Clarinet Association “ClarinetFest” 2014
I got to attend this year’s International Clarinet Association conference (“ClarinetFest”) on the Louisiana State University campus in Baton Rouge. The conference started on a sad note, as a car accident claimed the lives of two clarinetists on their way to represent Baylor University, and injured two others. In their memory, many of the conference … Read more
Woodwind organizations
I recently renewed a few memberships in some of the woodwind-related professional organizations. I like to stay current with as many of these as I can, because I enjoy receiving their publications and attending their conferences whenever possible. Most offer some other benefits like score and book lending libraries, eligibility for a group instrument insurance plan, member directories, and exclusive website content.
Membership is especially useful for woodwind folks in academia—students and professors alike—who are hoping to build their vitae. There are opportunities to publish articles, interviews, reviews, and such in the organizations’ publications, and to perform, present lectures and demonstrations, and participate in competitions and masterclasses at the conferences. Students can usually join the organizations and attend the conferences at significant discounts.
The groups I’m listing below are the major ones that North American woodwind players ought to seriously consider joining. There are others, mainly regional groups, of which I list as many as I’m aware elsewhere on this site (see flute, oboe, clarinet, bassoon, and saxophone organizations).