Los Angeles woodwind doubler Sal Lozano makes some basic points about flute-clarinet-saxophone doubling. This YouTube freebie appears to be a teaser for the video lessons you can purchase at Stars Teach Music, which has a surprisingly impressive roster of video woodwind teachers (mostly saxophonists).
I enjoyed this little clip by the esteemed Mr. Lozano, but I don’t think I would have paid the $4.97 for it at the commercial website.
Ethnic woodwind guru and composer Pedro Eustache (“ayoo-STAH-chay”) has posted videos on YouTube of most of his recent work Suite Concertante for World Woodwinds and Orchestra, featuring himself as soloist playing a staggering 21 instruments over the course of 12 movements (45 minutes).
The instruments are mostly ethnic flutes and reeds, though a few modern Western instruments appear as well. Since some of the instruments are Eustache’s own unique creations or modifications, it would seem he doesn’t intend for anyone beside himself to perform this piece. Certainly few woodwind players would have the ability to do so, nor to obtain or make the unusual and customized instruments required.
Here are the movements currently available on YouTube.
Mvts. 1-2: Three different bansuri (Indian bamboo flutes).
Mvt. 3: “Oryxophone,” neys (Middle Eastern flutes), mezoued (Tunisian reed instrument), and flute fitted with ney headjoint
Mvts. 8-9: Quenacho (South American flute), “double tarka” (customized version of South American flute)
Mvt. 10: Fjitchu (South American flute)
The missing movements include shvis (Armenian flutes), fujara (Slovakian flute), didgeridoo (Australian lip-reed), and apparently vocal percussion. There is some additional information on Eustache’s website and in a Spanish-language concert program [update: links dead]. Even if your Spanish isn’t good, it’s worth looking through the program to find the picture of Eustache surrounded by his instruments.
All of my favorite blog authors from June are ones I’ve featured previously, some many times. That’s fine by me but I’m always anxious to check out ones I haven’t been reading already. If you think I might be overlooking some, please get in touch! I’m in the process of updating my blogroll, and happy to add new woodwind-related blogs.
In a perhaps-related vein, The Life of the Flute Player reviews a flute and a piccolo constructed of non-traditional materials. I’m including this post not because I have opinions on these specific products, but because more and more plastic woodwinds are popping up, and I think it’s a trend worth watching.
Adam at A Classical Journey explores career options for musicians, and discovers that sometimes plan “A” isn’t the one you wanted after all [update: link dead].
Clarinetist Sherman Friedland wrote an incisive post on the basics of crossing the break, which has since disappeared from his site. So instead of linking, I’ll just recommend that you subscribe to his RSS feed so you can read his posts before he deletes them.
Jennifer Cluff addresses some questions about neck tension and the flute. (If you have pain, please consider blog posts to be supplementary information to that provided by qualified medical professionals.)
Saxophonist Bill Plake works on “microskill” projects.
Trent Jacobs invents an improved bassoon A-flat/B-flat trill mechanism in the shower, and has one made for his own instrument. (As it turns out, someone else beat him to the idea, but it’s still cool.)
Oboist Christa Garvey shares a breathing exercise for quieting performance nerves.
Saxophonist Ben Britton experiments with some improved altissimo fingerings. And of course I would be remiss not to mention his very attractive saxophone fingering diagrams.