Los Angeles woodwind doubler Sal Lozano makes some basic points about flute-clarinet-saxophone doubling. This YouTube freebie appears to be a teaser for the video lessons you can purchase at Stars Teach Music, which has a surprisingly impressive roster of video woodwind teachers (mostly saxophonists).
I enjoyed this little clip by the esteemed Mr. Lozano, but I don’t think I would have paid the $4.97 for it at the commercial website.
Ethnic woodwind guru and composer Pedro Eustache (“ayoo-STAH-chay”) has posted videos on YouTube of most of his recent work Suite Concertante for World Woodwinds and Orchestra, featuring himself as soloist playing a staggering 21 instruments over the course of 12 movements (45 minutes).
The instruments are mostly ethnic flutes and reeds, though a few modern Western instruments appear as well. Since some of the instruments are Eustache’s own unique creations or modifications, it would seem he doesn’t intend for anyone beside himself to perform this piece. Certainly few woodwind players would have the ability to do so, nor to obtain or make the unusual and customized instruments required.
Here are the movements currently available on YouTube.
Mvts. 1-2: Three different bansuri (Indian bamboo flutes).
Mvt. 3: “Oryxophone,” neys (Middle Eastern flutes), mezoued (Tunisian reed instrument), and flute fitted with ney headjoint
Mvts. 8-9: Quenacho (South American flute), “double tarka” (customized version of South American flute)
Mvt. 10: Fjitchu (South American flute)
The missing movements include shvis (Armenian flutes), fujara (Slovakian flute), didgeridoo (Australian lip-reed), and apparently vocal percussion. There is some additional information on Eustache’s website and in a Spanish-language concert program [update: links dead]. Even if your Spanish isn’t good, it’s worth looking through the program to find the picture of Eustache surrounded by his instruments.
I currently have over 400 woodwind-related blogs in my feed reader, and try my best at least to skim the new posts. In the past I’ve occasionally passed along recommendations about some of the blogs that I think are especially good. I’m considering moving toward something like a monthly list of some of my favorite individual posts instead.
Here are some from April (a few from late March sneaked in, too).
Stephanie Mortimore (of the Metropolitan Opera orchestra) offers a difference-tone-based approach to improving intonation over at one of the Powell Flutes blogs: Taming the Beast—Revolutionize Your Piccolo Intonation! (Part II). No reason this method couldn’t be used for flute or any other instrument. Part I is the usual boilerplate explanation of equal vs. just temperament.