It’s not too soon

Photo, thelouche

Frequently I think about something one of my teachers said to me as an undergraduate student. I was preparing for a rapidly upcoming recital, and played one of my repertoire pieces in a private lesson. There was a tricky page turn in the printed sheet music, and my run-through came to a halt while I fumbled with the pages. A little embarrassed, I assured my teacher that I intended to photocopy a page at some point so this wouldn’t happen in performance.

“You know, it’s not too soon to do that,” he said with a tired smile.

Of course I learned many valuable lessons from that teacher, but “it’s not too soon” is one that has really stayed with me, and now I try to pass it along to my students. Here are some things they (and sometimes I) like to procrastinate, but I try to remind them it’s not too soon to do:

  • Photocopy pages to ease page turns
  • Mark in all the places you intend to breathe, and practice them
  • Look up any unknown foreign musical terms, and pencil in the translations
  • Decide exactly what all ornaments, trills, and such are going to sound like, and practice them
  • Listen to recordings
  • Get that sticky pad or crumbling cork replaced
  • Plan good fingerings, mark them in, and practice them
  • Study the accompaniment part
  • Pencil in any rhythms, accidentals, or other reminders that will improve your performance
  • Start stockpiling good performance reeds
  • Add dynamics or other expressive markings that support your interpretation, and practice them

What small things are you procrastinating in your own preparation? It’s not too soon to do them now.

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  • The best practice routine

    Disclosure: As an Amazon Associate I earn from qualifying purchases, at no cost to you.

    Lately I’ve been on a diet that has a weekly “cheat” day. Six days out of the week, my meals are Spartan, but on cheat day I get to eat whatever I want.

    My guess is that isn’t the ideal way to manage my waistline. I would be better off eating more regimented meals every day. But I would burn out and quit. The cheat day is a compromise. It cedes a little ground to my sweet tooth, but keeps me going back to lentils and broccoli for another six days.

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    Every so often I decide to revamp my practice routine. It’s always ambitious. I plan hours of long tones, a battery of scales and exercises and etudes, piles of classical repertoire, and new jazz tunes. I see myself drilling every aspect of my playing for hours and hours every day.

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    It’s often said that the best diet is the one you stick to. I think that’s good advice for practicing, too. It would be great to do a super-intense practice routine every day. But if a little lower intensity is what prevents burnout, then so be it.

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    A practice routine, like a diet plan, should be good for you and should help you reach your goals, but it should also be something you can sustain and even enjoy.

  • Practice technique: anchoring

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    with added tenuto-accent-fermata
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  • Preparing a focused mind

    I find that in performance my mind isn’t always focused on what I would like. I’m easily distracted by conditions in the performance space, audience reactions, or, especially, the ways that my playing isn’t everything I would like it to be.

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