Music guilt

person in black shirt playing brass colored saxophone

In my professional capacity as a musician and music educator, I frequently have to lay down the law with my students or with myself about not practicing enough. The sense that I’m never quite good enough, and that it’s my own fault for not working harder, is a real professional hazard.

But when I meet people who aren’t professional musicians or serious music students, they often seem to feel the same way. They confess regrets about an instrument collecting dust in a closet, about not “sticking with it,” or about never learning to play at all. Sometimes they tell me how much they used to enjoy playing, but how some additional factor like music theory or stage fright or scales took the joy out of it.

I have to remember in those moments to keep some perspective. While my own musical goals demand serious daily work, lots of people find joy in dusting off an instrument once a month or once a year to play the same three songs again. Some people find certain aspects of a traditional music education boring. Some might play well, but aren’t interested in doing it front of an audience or a teacher.

And that’s okay! There’s lots of room for musicians of all levels and aspirations (or non-aspirations). And, of course, we professionals need a public that is enthusiastic about music, not guilt-ridden and regretful.

If you want to learn, it’s not too late. If you want to play or sing casually, you may. If you don’t want anyone to hear you, you don’t have to let them. Music should be fun for you.

Favorite blog posts, December 2021

Hand-picked high-quality woodwind-related blog posts from around the web, December 2021 edition.

A woodwind player’s introduction to: pennywhistles

The pennywhistle (or “tinwhistle” or “Irish” whistle) is common in Irish traditional music, and has found a home in some other styles such as southern African kwela music. They appear famously in movie soundtracks such as the Lord of the Rings movies and Titanic. Here are some important things to know: There are high-quality pennywhistles … Read more

Pitfalls of giving musical instruments as gifts

gift box decorated with ribbon bow for present

Giving someone a musical instrument as a surprise is a generous and thoughtful idea. But getting it right can be tricky. Here are some things to consider: For serious musicians, like a student studying with a private teacher, a college music major, or someone who does any kind of (semi-)professional playing, an instrument is a … Read more

Favorite blog posts, November 2021

Hand-picked high-quality woodwind-related blog posts from around the web, October 2021 edition.

Shaping a phrase

When a woodwind player plays a phrase like this: …it could have a variety of shapes, depending. But often a rising line gets a subtle crescendo, and a long note at the end gets a little decrescendo: To play create this shape, you blow air that makes the shape. You can imagine playing a single … Read more

A woodwind player’s introduction to: recorders

For a “modern” woodwind player, recorders might show up in “period” classical music performance or in commercial situations like musical theater or studio gigs. They might be used in commercial settings to evoke Renaissance or Baroque periods, to function generically as “world” or folk flutes with robust chromatic capabilities, or (maybe due to their association … Read more

What is my old instrument worth?

close up shot of a flute

If you have an old musical instrument and are wondering about its value, here are a few things to keep in mind: Prepare yourself for the very strong possibility that it has little or no monetary value. The vast majority of musical instruments don’t increase in value over time. For most instruments there’s not a … Read more

Favorite blog posts, October 2021

Hand-picked high-quality woodwind-related blog posts from around the web, October 2021 edition.

Preparing a focused mind

binocular country lane filter focus

I find that in performance my mind isn’t always focused on what I would like. I’m easily distracted by conditions in the performance space, audience reactions, or, especially, the ways that my playing isn’t everything I would like it to be. When I get distracted, and especially when it turns into negative self-talk, it’s easy … Read more