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Woodwinds smashed
From the kooks over at hornsmasher.com, the wanton destruction of a bassoon…
…and a clarinet.
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Woodwind t-shirts now available
I won’t make a habit of posting advertisements here, but I wanted to make you all aware of a new way you can support what I do here at bretpimentel.com while also increasing your own cool factor. Behold the woodwind doubler t-shirt:

the agency sent Sven, their most broodingly handsome t-shirt model It’s a nice quality American Apparel tee available in a variety of attractive and fashionable colors, with the logo in either black or white. A modest profit goes toward keeping the lights on here at your favorite woodwind blog and supports development of additional projects (like, for example, the Woodwind Doubling in Musicals list or the Fingering Diagram Builder).
The 5-instrument shirt is especially awesome, but there is also a saxophone-clarinet-flute version for the classic doubler, an oboe-bassoon version for the masochist, and a saxophone quartet version for those who want to “double” but prefer not to learn any new fingerings. I thought the four saxophone reeds looked sort of like cell phone reception “bars,” so there’s also a version with a dumb joke.

these images are simulated 
women’s styles, too

There’s probably still time for holiday delivery if you order soon. Order now and be the best-dressed in the orchestra pit.
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Internet forum field guide: conflict resolution
Welcome to the second installment of the Internet forum field guide, a look at the inhabitants of the various woodwind-related message boards, forums, and email lists. (Read the first chapter here.) Today we will examine how the indigenous wildlife deal with conflicts.
One of the most common sources of conflict is the introduction of a dangerous threat into the community. It generally starts with an honest question:
Hey guys, just wondering which alloy gives an instrument a darker sound: 93% silver with 7% copper, or 97% silver with 3% copper? Thanks in advance.
Enter the troublemaker
Suddenly the herd’s status quo is endangered, unthinkably, by one of its own:
Well, actually, it turns out there’s over 100 years of well-documented, peer-reviewed scientific research that says the material makes no significant difference to the sound of a wind instrument. I know this because I went to the library and read actual books and journal articles about it.
The herd stampedes
This kind of affront is clearly unacceptable to the community, and they respond swiftly to correct the errant behavior. The alpha male is often the first to weigh in:
I have been playing for 40 years with some groups whose names you think you vaguely recognize, and I say the material does make a difference, so that should pretty much settle it.
He is followed shortly by a rival who will try to discredit the original poster:
Read More “Internet forum field guide: conflict resolution”
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Introducing ReedCast™: scientific woodwind reed quality forecasting
I’m pleased to announce a new tool available on this site. Woodwind players know that the way a reed plays is subject to factors like elevation, temperature, humidity, and atmospheric pressure. There’s never a guarantee that a reed will play the same way today as it did yesterday. While break-in methods or storage systems may help mitigate some of this, being forearmed with as much information as possible is key to consistent reed performance.
I have spent the past few months compiling and studying as much research as I could gather about environmental factors’ effects on woodwind reeds, and developing an algorithm to process this information into reed quality “forecasts.” It’s not perfect, of course, but so far I have found it to do a surprisingly satisfactory job.
So, I built a web application, ReedCast™, around it. It is rough around the edges but pretty simple to use: you select your instrument (oboe/EH, clarinet, bassoon, saxophone) and your location. ReedCast™ uses your location to retrieve elevation and current weather conditions. Then you press the “Go!” button, and ReedCast™ does its thing.
Go try it out! If you are interested, you can also check out the science behind the forecasting algorithm (warning: technical, with math).
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Stuff my students say
What my students say What my students mean I was too busy to practice this week. My choices this week did not include practicing. I can play it perfectly when nobody is listening, I promise! When somebody is listening, I’m suddenly painfully aware of problems with my playing that I ignored in the practice room. I can play it, just not with the metronome. I can play the correct pitches in the correct order, but not with enough fluency to put each note where it belongs in time. In other words, I can’t play it. Right now I’m just trying to get the notes. I’ll add in the dynamics and articulations later. I might eventually get the “notes,” but don’t bet on me ever observing any of the other markings. The thing is, I’m just not good at _____ (rhythms, high notes, low notes, technical passages, lyrical passages, dynamic contrasts…). I wish to be excused from improving my playing. This _____ (etude, repertoire piece, technical exercise…) is boring. The way I’m playing it is boring. I practiced until I got it right! I played it wrong 99 times, then right once. Guess which will happen in my lesson, rehearsal, or performance? You’re mean. I’m unprepared. Related
Reedcast™ version 2.0
A couple of years ago I introduced my Reedcast™ tool on this site, which uses my proprietary software code to predict reed quality for oboe, clarinet, bassoon, and saxophone based on environmental factors:
I have spent the past few months compiling and studying as much research as I could gather about environmental factors’ effects on woodwind reeds, and developing an algorithm to process this information into reed quality “forecasts.” It’s not perfect, of course, but so far I have found it to do a surprisingly satisfactory job.
Today I’m pleased to announce the release of version 2.0. Reedcast™ is now more accurate than ever before, and has a polished new look as well. Go try it out, and have a great reed day!
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