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Woodwind t-shirts now available
I won’t make a habit of posting advertisements here, but I wanted to make you all aware of a new way you can support what I do here at bretpimentel.com while also increasing your own cool factor. Behold the woodwind doubler t-shirt:

the agency sent Sven, their most broodingly handsome t-shirt model It’s a nice quality American Apparel tee available in a variety of attractive and fashionable colors, with the logo in either black or white. A modest profit goes toward keeping the lights on here at your favorite woodwind blog and supports development of additional projects (like, for example, the Woodwind Doubling in Musicals list or the Fingering Diagram Builder).
The 5-instrument shirt is especially awesome, but there is also a saxophone-clarinet-flute version for the classic doubler, an oboe-bassoon version for the masochist, and a saxophone quartet version for those who want to “double” but prefer not to learn any new fingerings. I thought the four saxophone reeds looked sort of like cell phone reception “bars,” so there’s also a version with a dumb joke.

these images are simulated 
women’s styles, too
Ā 
There’s probably still time for holiday delivery if you order soon. Order now and be the best-dressed in the orchestra pit.
Breaking: Rico to produce bizarre double-tipped reeds
Okay, folks, hang onto your hats: I have stumbled onto what appears to be some truly weird news about things going on at Rico Reeds.
I use Google AlertsĀ to keep track of lots of woodwind-related topics on the web. Most days they don’t turn up anything especially interesting, but this morning I awoke to an alert of a new patent, just filed by Rico. Check it out here.Ā [UPDATE: The PDF appears to have been removed from Google Patents. Rico must have connections!] [UPDATE #2: I managed to retrieve a partial copy of it from my web browser cache. Here it is.] It appears to describe double-ended clarinet and saxophone reeds. Yes, you read that correctly.I assumed at first that the filing of this patent must be some kind of odd business practice required by Rico’s legal department. Maybe Rico held a brainstorming session on new products, and patents got filed on every idea, no matter how ridiculous, just in case.
But, out of curiosity, I Googled some of the other patents referenced in the PDF. And one of the patents listed as related to “specialized adaptations to existing machinery” used in reed manufacture turned up something surprising. Check out the search results, for the patent number in the ricoreeds.com domain.Ā [UPDATE: The single web document that previously showed up in this search appears to have been removed or otherwise secured. The document appears to be an archived email message, intended for internal use within Rico (located at the subdomain “intranet.ricoreeds.com”, now inaccessible). I have retrieved the document from my web browser cache. The formatting is lost, but it is still legible. Read it here.Ā I have removed the names of Rico employees.] Here is a summary, based on my best guesses from the document:
- “Duality” appears to be either a brand name or an internal code name for the double-tipped reeds.
- Conversions of some existing machines to produce double-tipped reeds seem to be in process already.
- “Duality” is due to launch (as in a new product release?) in “late 2012.”
- The email refers to 15 “units” in all, with 12 being converted. I don’t know if this represents all of Rico’s reedmaking machines; if so, it seems they are converting 80% of their production capacity to Duality, with 20% to continue producing “legacy” products. If this is case, Rico is betting big on the Duality reeds.
I’m not sure what to make of all this. Let me know what you think in the comments.
[BIG UPDATE: Rico has responded to my blog post with a “press release” on their Facebook page. Apparently somebody is working over the weekend. Check it out here!!]
Internet forum field guide: gear recommendations

Enter with caution. If you frequent any of the various woodwind-related Internet message boards, forums, or listservs, you have undoubtedly encountered some of the wildlife I will describe here. Remember that they can be dangerous creatures, and that it is often best not to attempt interaction with them.
One of the most common animal behaviors witnessed on the message boards is the exchange of gear recommendations. There are two primary families of wildlife the participate in this ritual: the askers and the answerers.
The askers
The askers all share a common behavioral trait: a proclivity for asking total strangers to blindly recommend instruments, mouthpieces, reeds, and other items. Their calls are varied.
Some prefer to remain hidden in the underbrush, offering no clarifying details:
hey guys first time on this board what reedz should I use lolz Read More “Internet forum field guide: gear recommendations”
A farewell to woodwind playing
Internet forum field guide: conflict resolution
Welcome to the second installment of the Internet forum field guide, a look at the inhabitants of the various woodwind-related message boards, forums, and email lists. (Read the first chapter here.) Today we will examine how the indigenous wildlife deal with conflicts.
One of the most common sources of conflict is the introduction of a dangerous threat into the community. It generally starts with an honest question:
Hey guys, just wondering which alloy gives an instrument a darker sound: 93% silver with 7% copper, or 97% silver with 3% copper? Thanks in advance.
Enter the troublemaker
Suddenly the herd’s status quo is endangered, unthinkably, by one of its own:
Well, actually, it turns out there’s over 100 years of well-documented, peer-reviewed scientific research that says the material makes no significant difference to the sound of a wind instrument. I know this because I went to the library and read actual books and journal articles about it.
The herd stampedes
This kind of affront is clearly unacceptable to the community, and they respond swiftly to correct the errant behavior. The alpha male is often the first to weigh in:
I have been playing for 40 years with some groups whose names you think you vaguely recognize, and I say the material does make a difference, so that should pretty much settle it.
He is followed shortly by a rival who will try to discredit the original poster:
Report: NNFA Conference, Southeastern Region, 2014
I’m back from the outstanding NNFA regional conference, where I spent the week rubbing shoulders (or should I say noses?) with over 700 very fine musicians from the Southeastern US.
I gave a brief presentation on my Fingering Diagram Builder and its potential applications to the instrument’s pedagogy. I think that’s an interesting problem, considering, well, you know, and I fielded some questions on the topic and got some excellent input.

Photo, Pierre-Alain Dorange But mostly I was there to learn, and learn I did. I attended workshops on vibrato, Baroque ornamentation, nasal hygiene, and building a private studio. I also audited several masterclasses, and, of course, attended fabulous evening concerts. Thursday was “jazz night” at a downtown club, and I worked up the nerve to take a few choruses on “Donna Lee” during the open jam portion. Of course, I usually play jazz on saxophone, so this was definitely outside my comfort zone!
The vendor exhibits were a conference hotspot, as usual, and I must have tried several dozen instruments. The usual makers and retailers were there, but I was also very surprised to see Conn-Selmer; they are apparently entering the market in a big way, and held a fancy reception to celebrate their new line. I tried a few and I think they have a solid intermediate-level “horn” which should do pretty well if they price it reasonably.
I hadn’t planned to buy an instrument, but I fell in love with this model from Trophy and ended up bringing it home. The one pictured has a red finish, but as I am fairly conservative about my instruments’ appearance I picked out a classy purple. I find that the purple has an appealing depth of tone but doesn’t lose anything in terms of response.
I hope to see some of you at the national conference next year in Des Moines. Last year’s national had attendance of almost 4,000 and some really incredible concert headliners. Join the National Nose Flute Association


