I got a review copy of So You Want to Play in Shows…?, a new woodwind doubling etude book. The author, Paul Saunders, is a woodwind player in London’s West End. The book includes seven studies for doubler playing flute, clarinet, and alto saxophone. It also includes a piano accompaniment book, with piano part recordings available ...
Most college students studying instrumental music education have to take a woodwind “methods” course, a sort of crash course in teaching the woodwind instruments. I have taught woodwind methods classes for about the past ten years. A typical approach is to divide the semester into instrument-based units: x weeks studying the flute, x weeks studying the oboe, etc. ... 
I recently asked one of my (woodwind) students why she thinks I make her practice scales. She didn’t have a ready answer, and I realized maybe I hadn’t been clear about the value of scales. Here are some reasons to practice scales (and arpeggios, and other methodical technical materials): To develop good finger movement. Scales provide ...