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> <channel><title>Comments on: Why I don’t loan out instruments</title> <atom:link href="http://bretpimentel.com/why-i-dont-loan-out-instruments/feed/" rel="self" type="application/rss+xml" /><link>http://bretpimentel.com/why-i-dont-loan-out-instruments/</link> <description>Saxophone, flute, oboe, clarinet, bassoon, folk and ethnic woodwinds</description> <lastBuildDate>Tue, 22 May 2012 03:48:06 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=</generator> <item><title>By: Sarah (WoodwindDoubler)</title><link>http://bretpimentel.com/why-i-dont-loan-out-instruments/#comment-30</link> <dc:creator>Sarah (WoodwindDoubler)</dc:creator> <pubDate>Sun, 12 Oct 2008 20:07:07 +0000</pubDate> <guid
isPermaLink="false">http://bretpimentel.com/blog/?p=99#comment-30</guid> <description>Thanks for the post Bret.  I feel the exact same way that you do.  Now that I&#039;ve read this post I feel so much better about politely telling people &quot;no, but thank-you for asking.&quot;Why should others benefit from the sacrifices you choose to make so you can have great horns to double on?  The answer is they shouldn&#039;t.My thoughts are: I choose to invest in all intermediate to professional horns (I have 6-7 now) ... don&#039;t come crying to me if you don&#039;t have any doubles or when your plastic student model clarinet or your leaky cheap flute isn&#039;t going to cut it for the gig.Your statement &quot;So if you find yourself lacking an instrument for a gig, don&#039;t hesitate to give me a call--I&#039;ll be happy to take that gig off your hands,&quot; says it all.  :o)!</description> <content:encoded><![CDATA[<p>Thanks for the post Bret.  I feel the exact same way that you do.  Now that I&#8217;ve read this post I feel so much better about politely telling people &#8220;no, but thank-you for asking.&#8221;</p><p>Why should others benefit from the sacrifices you choose to make so you can have great horns to double on?  The answer is they shouldn&#8217;t.</p><p>My thoughts are: I choose to invest in all intermediate to professional horns (I have 6-7 now) &#8230; don&#8217;t come crying to me if you don&#8217;t have any doubles or when your plastic student model clarinet or your leaky cheap flute isn&#8217;t going to cut it for the gig.</p><p>Your statement &#8220;So if you find yourself lacking an instrument for a gig, don&#8217;t hesitate to give me a call&#8212;I&#8217;ll be happy to take that gig off your hands,&#8221; says it all.  :o)!</p> ]]></content:encoded> </item> <item><title>By: Helen</title><link>http://bretpimentel.com/why-i-dont-loan-out-instruments/#comment-28</link> <dc:creator>Helen</dc:creator> <pubDate>Sat, 27 Sep 2008 18:15:10 +0000</pubDate> <guid
isPermaLink="false">http://bretpimentel.com/blog/?p=99#comment-28</guid> <description>I have never had a person ask to borrow a horn from me...Although I have had the director of a high school band program suggest that I will my instrument collection to his school. Huh? I wasn&#039;t even a graduate of that school, or even of the city or province. It takes all kinds I guess...Your point is on the mark though. If a player accepts a gig, without the proper equipment, and then comes to you looking to borrow what they are lacking, that takes a certain kind of nerve.&quot;No&quot; would be the only answer someone would hear from me under those circumstances. Good to read that you&#039;re getting good at saying the word. Keep on practicing it. &quot;No&quot;.By rights, the gig should go to the person with the gear. Student model instruments are reasonably priced and plentiful. There&#039;s no reason a serious player shouldn&#039;t have the standard &quot;doubles&quot; in their closet.</description> <content:encoded><![CDATA[<p>I have never had a person ask to borrow a horn from me&#8230;Although I have had the director of a high school band program suggest that I will my instrument collection to his school. Huh? I wasn&#8217;t even a graduate of that school, or even of the city or province. It takes all kinds I guess&#8230;</p><p>Your point is on the mark though. If a player accepts a gig, without the proper equipment, and then comes to you looking to borrow what they are lacking, that takes a certain kind of nerve.</p><p>&#8220;No&#8221; would be the only answer someone would hear from me under those circumstances. Good to read that you&#8217;re getting good at saying the word. Keep on practicing it. &#8220;No&#8221;.</p><p>By rights, the gig should go to the person with the gear. Student model instruments are reasonably priced and plentiful. There&#8217;s no reason a serious player shouldn&#8217;t have the standard &#8220;doubles&#8221; in their closet.</p> ]]></content:encoded> </item> <item><title>By: Gandalfe</title><link>http://bretpimentel.com/why-i-dont-loan-out-instruments/#comment-29</link> <dc:creator>Gandalfe</dc:creator> <pubDate>Mon, 01 Sep 2008 17:00:12 +0000</pubDate> <guid
isPermaLink="false">http://bretpimentel.com/blog/?p=99#comment-29</guid> <description>If I played as well as you do Brett, I&#039;d be following these well thought out guidelines about loaning instruments. But the folks I lend my instruments to know they may be called upon to sub in one of my bands with or without pay. And these players rock! Evil, I know...</description> <content:encoded><![CDATA[<p>If I played as well as you do Brett, I&#8217;d be following these well thought out guidelines about loaning instruments. But the folks I lend my instruments to know they may be called upon to sub in one of my bands with or without pay. And these players rock! Evil, I know&#8230;</p> ]]></content:encoded> </item> </channel> </rss>
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