From the kooks over at hornsmasher.com, the wanton destruction of a bassoon…
…and a clarinet.
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The Doublers Collective is a new quintet of accomplished jazz saxophonists with strong doubling abilities, based in Phoenix, Arizona. The group is the brainchild of Monica Shriver, who I had the pleasure of meeting at the NASA conference last year.
Check them out in this video:
For more about the Doublers Collective:
Great video of Eddie Daniels talking about doubling—er, not doubling.
Woodwind doubler and jazz great James Moody passed away today. James Moody was known for his saxophone (especially tenor) and flute playing. You can read the obituary from the San Diego Union-Tribune, but, if you’re like me, you might rather just watch this. I love the weirdly humorous but deeply respectful intro by none other than Dizzy Gillespie.
I recently posted a video of Jeff Kashiwa demonstrating the Akai EWI4000s wind controller. As part of his demonstration, he plays a movement from one of the Telemann Canonic Sonatas (well, sort of an arrangement of one).
The Canonic Sonatas are duo sonatas, with both musicians playing from the same part. (You can download free sheet music of the Canonic Sonatas from the IMSLP.) The first player begins, and the second player echoes, one measure behind. If you have ever sung “Row, Row, Row Your Boat” as a round, then you already understand how this works.
Jeff Kashiwa plays the Allegro movement from the first Canonic Sonata all by himself, playing the first part on the EWI and using a delay effect to create the second (echo) part. Here’s the video again—it should start playing about a minute and a half in, and the Telemann goes until about 2:40.
After the 2:40 mark, Mr. Kashiwa uses more sophisticated looping techniques, using some kind of external device. But you can perform the Telemann duet without any extra hardware, using only the EWI4000s’s onboard synthesizer. Read more
Notable woodwind doubler Buddy Collette, known for his skill and artistry as a jazz saxophonist, flutist, clarinetist, and composer, passed away on Sunday. Check out the Los Angeles obituary, or, even better, enjoy his flute and tenor:
Tip of the hat to Eric at jazz-sax.com for bringing this sad news to my attention.
Some of my favorite EWI videos. Enjoy!
Jeff Kashiwa explains and demonstrates the Akai EWI4000s to an appreciative audience. A little loopstation fun, with some Telemann and then a smooth-jazz tune.
EWI specialist Bernie Kenerson does cool stuff with an EWI hooked up to a vocoder. Read more
Tip of the hat to Patty at oboeinsight for this one:
It appears Mr. Willis is playing reed 3.
Ethnic woodwind guru and composer Pedro Eustache (“ayoo-STAH-chay”) has posted videos on YouTube of most of his recent work Suite Concertante for World Woodwinds and Orchestra, featuring himself as soloist playing a staggering 21 instruments over the course of 12 movements (45 minutes).
The instruments are mostly ethnic flutes and reeds, though a few modern Western instruments appear as well. Since some of the instruments are Eustache’s own unique creations or modifications [link auto-plays music], it would seem he doesn’t intend for anyone beside himself to perform this piece. Certainly few woodwind players would have the ability to do so, nor to obtain or make the unusual and customized instruments required.
Here are the movements currently available on YouTube.
Mvts. 1-2: Three different bansuri (Indian bamboo flutes).
Mvt. 3: “Oryxophone,” neys (Middle Eastern flutes), mezoued (Tunisian reed instrument), and flute fitted with ney headjoint
Mvt. 4: Duduk (Armenian reed instrument), blul (Armenian flute)
Mvts. 6-7: Soprano saxophone, flute
Mvts. 8-9: Quenacho (South American flute), “double tarka” (customized version of South American flute)
Mvt. 10: Fjitchu (South American flute)
The missing movements include shvis (Armenian flutes), fujara (Slovakian flute), didgeridoo (Australian lip-reed), and apparently vocal percussion. There is some additional information on Eustache’s website and in a Spanish-language concert program. Even if your Spanish isn’t good, it’s worth looking through the program to find the picture of Eustache surrounded by his instruments.
Elsewhere on this website, I list more compositions involving performance on multiple woodwind instruments.
A few tips on doubling on various sizes of clarinets, from Raphael Sanders, clarinet professor at SUNY Potsdam.