- Flutist Terri Sánchez blogged like crazy this month, with many downloadable exercises and practice ideas. A few I liked included this one-minute warmup, these harmonics exercises, these 100 ideas for getting “unstuck,” and this advice on creating your own warmups.
- Heather Roche shares some clarinet works by female composers. (Check the comments section for more.)
- Flutist Jolene Harju does an interesting video experiment with expressive body movements.
- Clarinetist Jenny Maclay suggests practicing recovery from mistakes.
- Ed Joffe shares his experience with developing a multiple woodwinds graduate degree program.
- Flutist Andrée Martin discusses priority scheduling for practicing and for life.
- Barry Stees offers some tips and tricks for playing low, soft orchestral bassoon parts.
- Flutist Vanessa Breault Mulvey shares ideas on being observant of your own playing [update: link dead].
- Saxophonist Sam Newsome recommends slow progress. He also shares some interesting experiments in “prepared” soprano saxophone.
- Cate Hummel warns against some small but problematic flute habits.
New book! Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone
I’m pleased to announce the release of my book, Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone. I wrote it with woodwind methods/techniques classes in mind, but I think it also works well as a reference for private teachers at any level, or for woodwind players, especially woodwind doublers.
Staying motivated for summer practicing
Quick flute switches and embouchure problems for woodwind doublers
Lots of woodwind doubler horror stories have to do with quick switches to flute or piccolo. (“Twenty minutes of hard-driving R&B tenor saxophone, then two bars to switch to flute and enter pianissimo in the third octave…”) Doublers in this situation often beat themselves up about perceived deficiencies in their flute embouchures, and commit to even … Read more
Interview: Jonathan Tunick, Broadway orchestrator and more
Jonathan Tunick is a show business legend: a composer/arranger/orchestrator/musical director for stage and screen; a collaborator with Stephen Sondheim, Placido Domingo, Barbra Streisand, and too many more to mention; and a winner of many awards. Needless to say, I was thrilled to hear from Mr. Tunick a few years ago, when he contributed some information … Read more
Favorite blog posts, April 2017
Hand-picked high-quality woodwind-related blog posts from around the web, April 2017 edition.
Confident entrances
It’s deceptively difficult to make a correct entrance after a rest. Here’s what I recommend for maximum confidence and security:
Being a beginner on your doubles
I’ve mentioned often on this blog the idea of “being a beginner” on your woodwind doubles. Here’s what I mean by that.
When I was a college saxophone major just starting to get serious about doubling, I arranged to take some flute lessons one summer. At my first-ever flute lesson, the teacher told me she knew that I was an accomplished saxophonist already (a generous assessment) and therefore wouldn’t need much more than some instruction on embouchure. That made sense to me, so she sent me away with my first repertoire assignment: a Mozart concerto.
Reedcast™ version 2.0
A couple of years ago I introduced my Reedcast™ tool on this site, which uses my proprietary software code to predict reed quality for oboe, clarinet, bassoon, and saxophone based on environmental factors: I have spent the past few months compiling and studying as much research as I could gather about environmental factors’ effects on woodwind reeds, … Read more
Favorite blog posts, March 2017
Hand-picked high-quality woodwind-related blog posts from around the web, March 2017 edition.